Early modern print media and the art of observation : training the literate eye / Stephanie A. Leitch, Florida State University.

"Early modern printmakers trained observers to scan the heavens above as well as faces in their midst. Peter Apian printed the Cosmographicus Liber (1524) to teach lay astronomers their place in the cosmos, while also printing practical manuals that translated principles of spherical astronomy...

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Bibliographic Details
Main Author: Leitch, Stephanie (Author)
Format: Book
Language:English
Published: Cambridge : Cambridge University Press, 2024.
Subjects:

MARC

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245 1 0 |a Early modern print media and the art of observation :  |b training the literate eye /  |c Stephanie A. Leitch, Florida State University. 
264 1 |a Cambridge :  |b Cambridge University Press,  |c 2024. 
264 4 |c ©2024 
300 |a xiii, 340 pages, 16 pages of plates :  |b ilustrations (some color) ;  |c 26 cm 
336 |a text  |b txt  |2 rdacontent 
336 |a still image  |b sti  |2 rdacontent 
337 |a unmediated  |b n  |2 rdamedia 
338 |a volume  |b nc  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
505 0 |a Learning to look with books for the literate eye -- Don't forget your Apian : a DIY guideto the cosmos -- Facial profiling : physiognomy and the art of inspection -- Visualized data and searchable science : the Liber quodlibetarius (c. 1524) -- Vexed viewing : anamorphosis and the visual argumentation of labored looking -- Conclusion : observational thinking. 
520 |a "Early modern printmakers trained observers to scan the heavens above as well as faces in their midst. Peter Apian printed the Cosmographicus Liber (1524) to teach lay astronomers their place in the cosmos, while also printing practical manuals that translated principles of spherical astronomy into useful data for weather watchers, farmers, and astrologers. Physiognomy, a genre related to cosmography, taught observers how to scrutinize profiles in order to sum up peoples' characters. Neither Albrecht Dürer nor Leonardo escaped the tenacious grasp of such widely circulating manuals called practica. Few have heard of these genres today, but the kinship of their pictorial programs suggests that printers shaped these texts for readers who privileged knowledge retrieval. Cultivated by images to become visual learners, these readers were then taught to hone their skills as observers. This book unpacks these and other visual strategies that aimed to develop both the literate eye of the reader and the sovereignty of images in the early modern world"--  |c Provided by publisher. 
650 0 |a Prints, European  |x Themes, motives. 
650 0 |a Observation (Psychology)  |0 http://id.loc.gov/authorities/subjects/sh85093747 
650 0 |a Visual learning  |z Europe  |x History. 
650 0 |a Art and society  |z Europe  |x History. 
650 6 |a Estampe européenne  |x Thèmes, motifs. 
650 6 |a Observation (Psychologie) 
650 6 |a Art et société  |z Europe  |x Histoire. 
776 0 8 |i Online version:  |a Leitch, Stephanie.  |t Early modern print media and the art of observation  |d Cambridge : Cambridge University Press, 2024  |z 9781009444491  |w (DLC) 2023041810 
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952 f f |p Can circulate  |a University of Colorado Boulder  |b Boulder Campus  |c Norlin  |d Norlin Library - Art & Architecture Stacks  |e NE625.L45 2024  |h Library of Congress classification  |i book  |m U183074004254  |n 1