Table of Contents:
  • Introduction : mediating gender in post-authoritarian South Korea / Michelle Cho and Jesook Song
  • Section I. Historicization of media : gender as platforms and polemics / Jesook Song
  • 1. Feminism reboot : neoliberalism, Korean movies, misogyny, and beyond / Hee-jeong Sohn
  • 2. Intermedial feminism : Megalia and Kangnam Station Exit 10 / HyeYoung Cho, translated by Aliju Kim
  • 3. The birth of "Korean" Manhwa and the discourse of gendered realism since the 1990s / Dahye Kim
  • 4. Gendered violence, crisis of masculinity, and regressive transgression in postmillennial South Korean crime thrillers / Miseong Woo
  • Section II. Consuming gender : gendered consumerism and consumption of gendered claims / Jesook Song
  • 5. Female pathology and the marginal humor in a thrift podcast : Kim Saengmin's Receipts / Bohyeong Kim
  • 6. Against confinement : degeneration, mental disability, and the conditions of nonviolence in The Vegetarian / Eunjung Kim
  • 7. Gendered mediation in Yun Sangho's Saimdang : memoir of colors / Youngmin Choe
  • 8. "I can speak because I am a mother : the trope of motherhood in mothers' political activism relating to the Sewol ferry disaster / Jinsook Kim
  • Section III. Pop remediation : beyond binary gender forms / Jesook Song
  • 9. A spunky girl meets a queer boy : neoliberal remediation of the post-authoritarian period in the Korean Reply TV series / Hyun Gyung Kim
  • 10. The emergence of "daughter-fools" : the mediation of masculinity via new fatherhood after the 1997 Asian financial crisis / Yoon Heo
  • 11. Discontent with gender and sexuality in Painter of the wind / Sunyoung Yang
  • 12. BL-ing bromance, bromancing Ŭiri : investigating inter-male intimacy in contemporary Korean cinema / Moonim Baek.