Polychrome art in the early modern world : 1200-1800 / edited by Ilenia Colón Mendoza and Lisandra Estevez.
"This book focuses on the techniques and materials of polychromy used in early modern Europe and the Americas from 1200 to 1800. Taking a trans-cultural approach, the book studies the production of polychrome sculptures, panels, and altarpieces, as well as colored terracotta and painted represe...
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| Online Access: |
Full Text (via Taylor & Francis) |
|---|---|
| Other Authors: | , |
| Format: | eBook |
| Language: | English |
| Published: |
New York, NY :
Routledge,
2025.
|
| Series: | Visual culture in early modernity.
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| Subjects: |
MARC
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| 245 | 0 | 0 | |a Polychrome art in the early modern world : |b 1200-1800 / |c edited by Ilenia Colón Mendoza and Lisandra Estevez. |
| 264 | 1 | |a New York, NY : |b Routledge, |c 2025. | |
| 264 | 4 | |c ©2025 | |
| 300 | |a 1 online resource (xv, 191 pages) : |b illustrations (some color). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 490 | 1 | |a Visual culture in early modernity | |
| 545 | 0 | |a Ilenia Colón Mendoza is Professor of Art History at the School of Visual Arts and Design of the University of Central Florida, USA. Lisandra Estevez is Associate Professor of Art History at Winston-Salem State University, USA. | |
| 545 | 0 | |a Ilenia Colón Mendoza is Professor of Art History at the School of Visual Arts and Design of the University of Central Florida, USA. Lisandra Estevez is Associate Professor of Art History at Winston-Salem State University, USA. | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a "This book focuses on the techniques and materials of polychromy used in early modern Europe and the Americas from 1200 to 1800. Taking a trans-cultural approach, the book studies the production of polychrome sculptures, panels, and altarpieces, as well as colored terracotta and painted representations of marble and stone. The book includes chapters on treatises and contracts that reveal specific use of pigments, distribution of workshops, collaborations between specialized artists, and artistic programs centered on the use of color as an agent. The book will be of interest to scholars working in art history, art conservation, early modern history, sculpture, material culture, European studies, and transatlantic artistic interactions"-- |c Provided by publisher. | ||
| 588 | |a Description based on online resource; title from digital title page (viewed on July 26, 2024). | ||
| 650 | 0 | |a Polychromy. |0 http://id.loc.gov/authorities/subjects/sh85104601 | |
| 700 | 1 | |a Colón Mendoza, Ilenia, |e editor. |0 http://id.loc.gov/authorities/names/n2014067315 |1 https://id.oclc.org/worldcat/entity/E39PCjBFgJwWDVdHgxhQ4XhVbq | |
| 700 | 1 | |a Estevez, Lisandra, |e editor. |0 http://id.loc.gov/authorities/names/n2024002450 | |
| 776 | 0 | 8 | |i Print version: |t Polychrome art in the early modern world |d Abingdon, Oxon : Routledge, 2024 |z 9780367436353 |w (DLC) 2023059327 |
| 856 | 4 | 0 | |u https://colorado.idm.oclc.org/login?url=https://www.taylorfrancis.com/books/9781003010005 |z Full Text (via Taylor & Francis) |
| 830 | 0 | |a Visual culture in early modernity. |0 http://id.loc.gov/authorities/names/no2008073049 | |
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| 952 | f | f | |p Can circulate |a University of Colorado Boulder |b Online |c Online |d Online |e NB1275 |h Library of Congress classification |i web |