TV drama in the multiplatform era : transnational coproduction and cultural specificity / edited by Trisha Dunleavy, Elke Weissmann.
"This edited collection examines a new phase in the creation of transnational high-end drama in television's current multiplatform era. Fuelled by the wider international exposure that internet distribution has brought to TV shows, this phase for high-end drama is one of unprecedented budg...
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Other Authors: | , |
Format: | Electronic eBook |
Language: | English |
Published: |
Cham, Swizerland :
Palgrave Macmillan,
[2023]
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Table of Contents:
- Chapter 1. Multiplatform TV, the Cultural Diversification of High-End Drama, and New Coproduction Strategies
- Chapter 2. Moving across Platforms and Cultures: From BBC to Syfy to Amazon Prime: The Adaptation of Philip K. Dicks The Man in the High Castle
- Chapter 3. Netflix and Borgen: A Match Made in?
- Chapter 4. Magnfica 70: HBOs Portrayal of the Brazilian Boca do Lixo Cinema
- Chapter 5. British History from a Distance: Transnational and Intergenerational Framings of The Crown
- Chapter 6. Its a Sin: Cross-Platform Coproduction, Cultural Specificity, and Conflicting Cultures
- Chapter 7. Unseen Particles in Time: Co-producing Transcultural Memory as a Discourse of TV Legitimacy Within the Sky/HBO Miniseries TV Event, Chernobyl (2019)
- Chapter 8. Les de lHoquei/The Hockey Girls: From a Catalan Bachelors Degree Project to Netflix
- Chapter 9. Gender and the Youthification of German Television: Zeit der Geheimnisse/Holiday Secrets and Generational Change in High-End TV Drama
- Chapter 10. Atiye/The Gift: Narrating Cultural Diversities as Spiritual Fantasy in an Authoritarian Climate
- Chapter 11. Freedom of Defection: The Representation of Ultra-Orthodox Jews and Netflixs Unorthodox
- Chapter 12. Polish Culture? World on Fire, Transnational Coproduction and the Inscription of Cultural Specificity
- Chapter 13. El Robo del Siglo/The Great Heist: Perpetuating False Territorial Dichotomies in Colombia?./.