Alternative Shakespeares. 3 [electronic resource] / edited by Diana E. Henderson.
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| Online Access: |
Full Text (via Taylor & Francis) |
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| Other Authors: | |
| Format: | Electronic eBook |
| Language: | English |
| Published: |
London ; New York :
Routledge,
©2008.
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| Series: | New accents (Routledge (Firm))
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| Subjects: |
Table of Contents:
- Chapter 1 INTRODUCTION / Diana E. Henderson
- chapter 2 "I DO, I WILL": Hal, Falstaff and the Performative / Robert Shaughnessy
- chapter 3 MEDIUM-SPECIFICITY AND OTHER CRITICAL SCRIPTS FOR SCREEN SHAKESPEARE 3456 / Screen Shakespeare Katherine Rowe
- chapter 4 SHAKESPEARE 3.0: Or Text Versus Performance, the Remix / W.B. Worthen
- chapter 5 SHAKESPEARE FOR READERS
- chapter 6 CUTTING BOTH WAYS: Bloodletting, Castration/ Circumcision, and the "Lancelet" of The Merchant of Venice / Patricia Parker
- chapter 7 CYMBELINE, THE FONT OF HISTORY, AND THE MATTER OF BRITAIN: From Times New Roman to Italic Type / Willy Maley
- chapter 8 Playing with Cupid: Gender, Sexuality, and Adolescence
- chapter 9 DEATH BY NUMBERS: Counting and Accounting in The Winter's Tale / Shankar Raman
- chapter 10 HAMLET, PRINCE: Tragedy, Citizenship, and Political Theology / Julia Reinhard Lupton
- chapter 11 MEMORY, IDEOLOGY, TRANSLATION: King Lear Behind Bars and Before History / Rui Carvalho Homem
- chapter 12 THE MATERIALITY OF THE SCHOLARLY TEXT: What Our Books Reveal About Us / Mary Thomas Crane
- chapter 13 ALTERNATIVE COLLABORATIONS: Shakespeare, Nahum Tate, Our Academy, and the Science of Probability / Diana E. Henderson
- chapter 14 Afterword Alternativity at the Theatrical Core: A Conversation with Michael Boyd, Artistic Director of the Royal / Shakespeare Company.