Print culture in early modern France : Abraham Bosse and the purposes of print / Carl Goldstein.
"In this book, Carl Goldstein examines the print culture of seventeenth-century France through a study of the career of Abraham Bosse, a well-known printmaker, book illustrator, and author of books and pamphlets on a variety of technical subjects"--
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| Format: | eBook |
| Language: | English |
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New York :
Cambridge University Press,
2012.
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MARC
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| 100 | 1 | |a Goldstein, Carl. | |
| 245 | 1 | 0 | |a Print culture in early modern France : |b Abraham Bosse and the purposes of print / |c Carl Goldstein. |
| 260 | |a New York : |b Cambridge University Press, |c 2012. | ||
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a 1. A printmaking revolution -- 2. Scenes of everyday life -- 3. Drama, theater, and prints -- 4. Contingencies and contradictions -- 5. A royal portrait -- 6. Image and text: reading single-sheet prints -- 7. Book illustrations -- 8. Books and pamphlets. | |
| 520 | |a "In this book, Carl Goldstein examines the print culture of seventeenth-century France through a study of the career of Abraham Bosse, a well-known printmaker, book illustrator, and author of books and pamphlets on a variety of technical subjects"-- |c Provided by publisher | ||
| 520 | |a "In this book, Carl Goldstein examines the print culture of seventeenth-century France through a study of the career of Abraham Bosse, a well-known printmaker, book illustrator, and author of books and pamphlets on a variety of technical subjects. The consummate print professional, Bosse persistently explored the endless possibilities of print - single-sheet prints combining text and image, book illustration, broadsides, placards, almanacs, theses, and pamphlets. Bosse had a profound understanding of print technology as a fundamental agent of change. Unlike previous studies, which have largely focused on the printed word, this book demonstrates the extent to which the contributions of an individual printmaker and the visual image are fundamental to understanding the nature and development of early modern print culture"-- |c Provided by publisher | ||
| 600 | 1 | 0 | |a Bosse, Abraham, |d 1602-1676 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Bosse, Abraham, |d 1602-1676 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJjCPqTPK7mWfF6r9Thj4q |
| 650 | 0 | |a Prints, French |y 17th century. | |
| 650 | 0 | |a Printing |z France |x History |y 17th century. | |
| 650 | 0 | |a Arts and society |z France |x History |y 17th century. | |
| 650 | 7 | |a Arts and society |2 fast | |
| 650 | 7 | |a Printing |2 fast | |
| 650 | 7 | |a Prints, French |2 fast | |
| 651 | 7 | |a France |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP | |
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| 710 | 2 | |a Cambridge University Press. |p Cambridge NYU Collection 2012. | |
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