Gordon Matta-Clark : anarchitect / Antonio Sergio Bessa ; Jessamyn Fiore.

"This revealing book looks at the groundbreaking work of Gordon Matta-Clark (1943-1978), whose socially conscious practice blurred the boundaries between contemporary art and architecture. After completing a degree in architecture at Cornell University, Matta-Clark returned to his home city of...

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Bibliographic Details
Main Authors: Bessa, Antonio Sergio (Author, Curator), Fiore, Jessamyn (Author, Curator)
Other Authors: Matta-Clark, Gordon, 1943-1978
Format: Book
Language:English
Published: [Bronx] ; New Haven : The Bronx Museum of the Arts in association with Yale University Press, [2017]
Subjects:

MARC

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245 1 0 |a Gordon Matta-Clark :  |b anarchitect /  |c Antonio Sergio Bessa ; Jessamyn Fiore. 
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518 |o "Gordon Matta-Clark: Anarchitect" :  |d November 8, 2017-April 8, 2018,  |p The Bronx Museum of the Arts, Bronx, New York, New York, United States. 
518 |o "Gordon Matta-Clark: Anarchitect" :  |d June 4-September 23, 2018,  |p Jeu de Paume, Paris, France. 
518 |o "Gordon Matta-Clark: Anarchitect" :  |d March 1-August 4, 2019,  |p Kumu Art Museum, Tallinn, Estonia. 
518 |o "Gordon Matta-Clark: Anarchitect" :  |d September 12-December 15, 2019,  |p the Rose Art Museum, Brandeis University, Waltham, Massachusetts, United States. 
520 |a "This revealing book looks at the groundbreaking work of Gordon Matta-Clark (1943-1978), whose socially conscious practice blurred the boundaries between contemporary art and architecture. After completing a degree in architecture at Cornell University, Matta-Clark returned to his home city of New York, where he initiated a series of site-specific works in derelict areas of the South Bronx. The borough's many abandoned buildings, the result of economic decline and middle-class flight, served as Matta-Clark's raw material. His series 'Bronx Floors' dissected these structures, performing an anatomical study of the ravaged urban landscape. Moving from New York to Paris with 'Conical Interserct', a piece that became emblematic of artistic protest, Matta-Clark applied this same method to a pair of seventeenth-century row houses slatted for demolition as a result of the Centre Pompidou's construction. This compelling volume grounds Matta-Clark's practice against the framework of architectural and urban history, stressing his pioneering activist-inspired approach, as well as his contribution to the nascent fields of social practice and relational aesthetics."  |c --description provided by publisher. 
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