The atonal music of Arnold Schoenberg, 1908-1923 / Bryan R. Simms.
In the years from 1908 to 1923, Arnold Schoenberg developed a compositional strategy that moved beyond the accepted concepts and practices of Western tonality. Pieces from this period, such as Pierrot Lunaire and Erwartung, remain masterpieces of the modern repertoire. The lasting importance of Scho...
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Full Text (via ProQuest) |
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| Language: | English |
| Published: |
New York :
Oxford University Press,
2000.
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| Subjects: |
MARC
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| 100 | 1 | |a Simms, Bryan R. | |
| 245 | 1 | 4 | |a The atonal music of Arnold Schoenberg, 1908-1923 / |c Bryan R. Simms. |
| 260 | |a New York : |b Oxford University Press, |c 2000. | ||
| 300 | |a 1 online resource (ix, 265 pages) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent. | ||
| 337 | |a computer |b c |2 rdamedia. | ||
| 338 | |a online resource |b cr |2 rdacarrier. | ||
| 347 | |a data file. | ||
| 504 | |a Includes bibliographical references (pages 223-257) and index. | ||
| 505 | 0 | |a Abbreviations -- Chapter 1 Atonality and the Critical Imagination -- Chapter 2 Schoenberg's Evolution toward Atonality -- Chapter 3 Settings of the Poetry of Stefan George: Opp. 10, 14, and 15 -- Chapter 4 Small Instrumental Works: Opp. 11, 16, and 19 and Three Pieces for Chamber Orchestra -- Chapter 5 The Operas Erwartung and Die glückliche Hand -- Chapter 6 New Uses of the Voice: Herzgewächse, Pierrot lunaire, and Four Songs, Op. 22 -- Chapter 7 On the Road from Earth to Heaven: Symphony and Die Jakobsleiter -- Chapter 8 Composing with Tones: Five Piano Pieces, Op. 23, and Serenade, Op. 24 -- Glossary -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- Z. | |
| 520 | |a In the years from 1908 to 1923, Arnold Schoenberg developed a compositional strategy that moved beyond the accepted concepts and practices of Western tonality. Pieces from this period, such as Pierrot Lunaire and Erwartung, remain masterpieces of the modern repertoire. The lasting importance of Schoenberg's atonal music is reflected in the very large but fragmented critical and analytical literature that surrounds it. In this book, the author synthesizes and advances the state of knowledge about this body of work, building up a comprehensive description from close analytical study. | ||
| 546 | |a English. | ||
| 588 | 0 | |a Print version record. | |
| 600 | 1 | 0 | |a Schoenberg, Arnold, |d 1874-1951 |x Criticism and interpretation. |
| 650 | 0 | |a Atonality. | |
| 600 | 1 | 7 | |a Schoenberg, Arnold, |d 1874-1951. |2 fast |0 (OCoLC)fst00051867. |
| 650 | 7 | |a Atonality. |2 fast |0 (OCoLC)fst00820670. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635. | |
| 776 | 0 | 8 | |i Print version: |a Simms, Bryan R. |t Atonal music of Arnold Schoenberg, 1908-1923. |d New York : Oxford University Press, 2000 |w (DLC) 99035938. |
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