Film architecture and the transnational imagination : set design in 1930s European cinema / Tim Bergfelder, Sue Harris, Sarah Street.
Presents for the first time a comparative study of European film set design in the late 1920s and 1930.
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Full Text (via ProQuest) |
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| Other Authors: | , |
| Format: | eBook |
| Language: | English |
| Published: |
Amsterdam :
Amsterdam University Press,
[2007]
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| Series: | Film culture in transition.
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| Subjects: |
MARC
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| 100 | 1 | |a Bergfelder, Tim. | |
| 245 | 1 | 0 | |a Film architecture and the transnational imagination : |b set design in 1930s European cinema / |c Tim Bergfelder, Sue Harris, Sarah Street. |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2007] | |
| 264 | 4 | |c ©2007 | |
| 300 | |a 1 electronic resource (316 pages ). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 347 | |a data file | ||
| 490 | 1 | |a Film culture in transition | |
| 504 | |a Includes bibliographical references (pages [297]-304) and indexes. | ||
| 588 | |a Description based on print version record; resource not viewed. | ||
| 505 | 0 | 0 | |t Introduction: understanding and interpreting set design in cinema -- |t European set design in the 1920s and 1930s: cultural contexts and professional practices -- |t Imagining space in late Weimar Cinema -- |t French cinema in the 1930s: space, place and national identity -- |t Set design, style, and genre in 1930s British Cinema. |
| 520 | |a Presents for the first time a comparative study of European film set design in the late 1920s and 1930. | ||
| 546 | |a En. | ||
| 650 | 0 | |a Group work in art. | |
| 650 | 0 | |a Motion pictures |x Setting and scenery |z Europe. | |
| 650 | 0 | |a Motion pictures |z Europe |x History |y 20th century. | |
| 650 | 0 | |a Transnationalism. | |
| 650 | 7 | |a Group work in art |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 7 | |a Motion pictures |x Setting and scenery |2 fast | |
| 650 | 7 | |a Transnationalism |2 fast | |
| 651 | 7 | |a Europe |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJxCxPbbk4CPJDQJb4r6rq | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 700 | 1 | |a Harris, Sue |c (Lecturer in French) | |
| 700 | 1 | |a Street, Sarah. | |
| 758 | |i has work: |a Film architecture and the transnational imagination (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGkYHXDDwGWjykP4FCjwG3 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t Film architecture and the transnational imagination |d Amsterdam : Amsterdam University Press, c2007. |z 9789053569801 (hbk.) |w (DLC) 2008478712 |
| 830 | 0 | |a Film culture in transition. | |
| 856 | 4 | 0 | |u https://ebookcentral.proquest.com/lib/ucb/detail.action?docID=419759 |z Full Text (via ProQuest) |
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