Capital culture : a reader on modernist legacies, state institutions, and the value(s) of art / edited by Jody Berland and Shelley Hornstein.
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Full Text (via ProQuest) |
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| Other Authors: | , |
| Format: | eBook |
| Language: | English |
| Published: |
Montreal [Que.] :
McGill-Queen's University Press,
©2000.
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| Subjects: |
Table of Contents:
- Contents
- Rich and Famous Wallpaper
- Intersection
- Illustrations
- Acknowledgments
- Where Was I/See the Sights
- Introduction
- Thoughts to Begin
- Nationalism and the Modernist Legacy: Dialogues with Innis
- Intersection
- Aesthetics and Politics in the Age of Global Markets
- Monopolies of Censorship: A Postmodern Footnote to Innis
- Postmodernism, Ethics, and Aesthetics in the Age of Global Markets
- The Old Age of Art and Money
- Art Money Madness: With Origins in Mind
- Marketing Culture and the Policies of Value.
- Ideas without Work/Work without Ideas: Reflections on Work, Value, and the VolkThe Cost of the Sublime: The Voice of Fire Controversy
- Colville and Patton: Two Paradigms of Value
- Whiffs of Balsam, Pine and Spruce: Art Museums and the Production of a Canadian Aesthetic
- Please Deposit Fifty Cents and Take Card from Slot Below
- Culture and the State
- Policying Culture: Canada, State Rationality, and the Governmentalization of Communication
- Le trésor de la langue: Visual Arts and State Policy in Québec
- Speculation (Blue Chip, Red Dot)
- Technology, Globalization, and Cultural IdentityLearning the New Information Order
- This Is Your Messiah Speaking
- The Crisis of Naming in Canadian Film
- Thoughts to Close
- The Shape of Time and the Value of Art
- Certified Art Ad Series
- Contributors
- Three Works
- Index
- A
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- Q
- R
- S
- T
- U
- V
- W
- ... It's Still Privileged Art
- Intersection.