Carnival theater : Uruguay's popular performers and national culture / Gustavo Remedi ; translated by Amy Ferlazzo.
Focusing on the cultural practices of the lower classes and specifically on the productions of the murgas, Carnival Theater is a consideration of Uruguayan societys identity crisis and subsequent redefinition in the wake of the regimes of the 1970s. A revealing work of cultural criticism, the book p...
Saved in:
| Online Access: |
Full Text (via ProQuest) |
|---|---|
| Main Author: | |
| Other title: | Murgas. English. |
| Format: | eBook |
| Language: | English Spanish |
| Published: |
Minneapolis :
University of Minnesota Press,
©2004.
|
| Series: | Cultural studies of the Americas ;
v. 15. |
| Subjects: |
MARC
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| 100 | 1 | |a Remedi, Gustavo, |e author. | |
| 240 | 1 | 0 | |a Murgas. |l English. |
| 245 | 1 | 0 | |a Carnival theater : |b Uruguay's popular performers and national culture / |c Gustavo Remedi ; translated by Amy Ferlazzo. |
| 260 | |a Minneapolis : |b University of Minnesota Press, |c ©2004. | ||
| 300 | |a 1 online resource (xviii, 289 pages) | ||
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| 490 | 1 | |a Cultural studies of the Americas ; |v v. 15. | |
| 500 | |a "Originally published as: Murgas : el teatro de los tablados : interpretacioń y crit́ica de la cultura nacional, ©1996"--Title page verso. | ||
| 504 | |a Includes bibliographical references (pages 269-289) and index. | ||
| 505 | 0 | |a Prologue: Metaphors for Approaching National Culture; Acknowledgments; 1. The Interpretation of National Culture from the Site of Popular Cultural Practice; 2. To Open Up the Night: Carnival and the Struggle for a National, Democratic, and Popular Order; 3. Theology of Carnival: The Religious Masks of Carnivalesque Theater; 4. Bodies, Costumes, and Characters; 5. Carnival Celebrates the National Popular Epic; Conclusion: From the Garden of the Comparsas; Appendix: Librettos of Principal Murgas from the Montevideo Carnival, 1988; Notes. | |
| 520 | |a Focusing on the cultural practices of the lower classes and specifically on the productions of the murgas, Carnival Theater is a consideration of Uruguayan societys identity crisis and subsequent redefinition in the wake of the regimes of the 1970s. A revealing work of cultural criticism, the book proposes a new set of criteria for the critique of national culture. | ||
| 588 | 0 | |a Print version record. | |
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| 650 | 7 | |a Carnival. |2 fast |0 (OCoLC)fst00847651. | |
| 650 | 7 | |a Manners and customs. |2 fast |0 (OCoLC)fst01007815. | |
| 650 | 7 | |a Popular culture. |2 fast |0 (OCoLC)fst01071344. | |
| 650 | 7 | |a Street theater. |2 fast |0 (OCoLC)fst01134716. | |
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| 776 | 0 | 8 | |i Print version: |a Remedi, Gustavo. |s Murgas. English. |t Carnival theater. |d Minneapolis : University of Minnesota Press, ©2004 |z 0816634548 |w (DLC) 2003014542 |w (OCoLC)52720897. |
| 830 | 0 | |a Cultural studies of the Americas ; |v v. 15. | |
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