Explorations in Schenkerian analysis / edited by David Beach and Su Yin Mak.

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Bibliographic Details
Other Authors: Beach, David, 1938- (Editor), Mak, Su Yin Susanna (Editor)
Format: Book
Language:English
Published: Rochester, NY : University of Rochester Press, 2016.
Series:Eastman studies in music ; v. 136.
Subjects:
Table of Contents:
  • A letter about the C-major fugue from The Well-tempered Clavier, Book 1 / Charles Burkhart
  • The opening tonal complex of Bach's St. Matthew passion : a linear view / Mark Anson-Cartwright
  • Recurrence and fantasy in C.P.E. Bach's Rondo in G major / Frank Samarotto
  • Voice-leading procedures in galant expositions / L. Poundie Burstein
  • The first movements of Anton Eberl's symphonies in E-flat major and D minor, and Beethoven's Eroica : toward "new" sonata forms? / Timothy L. Jackson
  • Schubert's "Unfinished" symphony : analytical observations / David Beach
  • Structural and form-functional ambiguities in the first movement of Schubert's Octet in F major, D. 803 / Su Yin Mak
  • The form of Chopin's Prelude in B-flat major, op. 28, no. 21 / Roger Kamien
  • "All that is solid melts into air" : Schumann's Overture to Manfred / William Rothstein
  • Endings without resolution : the slow movement and finale of Schumann's Second symphony / Lauri Suurpää
  • Half-diminished-seventh openings in Brahms's lieder / Ryan McClelland
  • Motivic enlargement in Dvořák's Symphony, op. 70 / Leslie Kinton
  • Deliverance and compositional design in the "Libera me" of Verdi's Messa da Requiem / Don McLean
  • Polyphony and cacophony? : A Schenkerian reading of Strauss's "Dance of the seven veils" / Matthew Brown
  • A force of nature : Debussy and the chromatically displaced dominant / Boyd Pomeroy
  • Appendix : An interview with Edward Laufer / Stephen Slottow.