Number to Sound : the Musical Way to the Scientific Revolution / edited by Paolo Gozza.
This volume deals with the origin of the modern conception of the object as well as the subject of music - of musical sound as well as man as the recipient of music. This is what music offered to the Scientific Revolution of the 16th and 17th centuries. The story is developed in 12 essays written by...
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Full Text (via Springer) |
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| Main Author: | |
| Format: | eBook |
| Language: | English |
| Published: |
Dordrecht :
Springer Netherlands,
2000.
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| Series: | Western Ontario Series in Philosophy of Science, A Series of Books in Philosophy of Science, Methodology, Epistemology, Logic, History of Science, and Related Fields ;
64. |
| Subjects: |
MARC
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| 245 | 1 | 0 | |a Number to Sound : |b the Musical Way to the Scientific Revolution / |c edited by Paolo Gozza. |
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| 490 | 1 | |a The Western Ontario Series in Philosophy of Science, A Series of Books in Philosophy of Science, Methodology, Epistemology, Logic, History of Science, and Related Fields, |x 1566-659X ; |v 64. | |
| 505 | 0 | |a The Harmony of the Spheres -- 'Desiderio da Pavia' and Renaissance Musical Theory -- Marsilio Ficino: The Soul and the Body of Counterpoint -- Music in Francis Bacon's Natural Philosophy -- A Renaissance Mathematics: the Music of Descartes -- The Structure of Harmony in Johannes Kepler's Harmonice mundi (1619) -- Was Galileo's Father an Experimental Scientist? -- The Expressive Value of Intervals and the Problem of the Fourth -- Galileo Galilei -- Isaac Beeckman -- Marin Mersenne: Mechanics, Music and Harmony -- Moving the Affections Through Music: Pre-Cartesian Psycho-Physiological Theories. | |
| 520 | |a This volume deals with the origin of the modern conception of the object as well as the subject of music - of musical sound as well as man as the recipient of music. This is what music offered to the Scientific Revolution of the 16th and 17th centuries. The story is developed in 12 essays written by influential musicologists and historians of science. Starting from the magic of numbers of Pythagorean and neo-Platonic doctrines, the essays lead the reader to ̀sound' and ̀affections' in modern terms. The conceptual framework that grasps the intellectual shift from number to sound is new, it relates to the ontological change of the object of music to the psychological change of man as the subject (viz., the recipient and beneficiary) of music. | ||
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