The hypersexuality of race [electronic resource] : performing Asian/American women on screen and scene / Celine Parreñas Shimizu.

In The Hypersexuality of Race, Celine Parreñas Shimizu urges a shift in thinking about sexualized depictions of Asian/American women in film, video, and theatrical productions. Shimizu advocates moving beyond denunciations of sexualized representations of Asian/American women as necessarily demeanin...

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Bibliographic Details
Online Access: Full Text (via Duke)
Main Author: Shimizu, Celine Parreñas
Format: Electronic eBook
Language:English
Published: Durham : Duke University Press, 2007.
Series:e-Duke books scholarly collection.
Subjects:

MARC

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100 1 |a Shimizu, Celine Parreñas.  |0 http://id.loc.gov/authorities/names/nr99000630  |1 http://isni.org/isni/0000000052597313. 
245 1 4 |a The hypersexuality of race  |h [electronic resource] :  |b performing Asian/American women on screen and scene /  |c Celine Parreñas Shimizu. 
260 |a Durham :  |b Duke University Press,  |c 2007. 
300 |a 1 online resource (xii, 339 pages) :  |b illustrations. 
336 |a text  |b txt  |2 rdacontent. 
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338 |a online resource  |b cr  |2 rdacarrier. 
504 |a Includes bibliographical references (pages 301-324) and index. 
505 0 |a The hypersexuality of Asian/American women : toward a politically productive perversity on screen and scene -- The bind of representation : performing and consuming hypersexuality in Miss Saigon -- The sexual bonds of racial stardom : Asian American femme fatales in Hollywood -- Racial threat or racial treat? Performing yellowface sex acts in stag films, 1920/34 -- Queens of anal, double, triple, and the gangbang : producing Asian/American -- Feminism in pornography, 1940s/1990s -- "Little brown fucking machines powered by rice" or sex tourists with movie -- Cameras and prostitutes without movie cameras : politicizing the bottom in Southeast Asian sex tourist movies -- The political power of hypersexuality in Asian American feminist films -- New horizons in race-positive sexuality. 
520 |a In The Hypersexuality of Race, Celine Parreñas Shimizu urges a shift in thinking about sexualized depictions of Asian/American women in film, video, and theatrical productions. Shimizu advocates moving beyond denunciations of sexualized representations of Asian/American women as necessarily demeaning or negative. Arguing for a more nuanced approach to the mysterious mix of pleasure, pain, and power in performances of sexuality, she advances a theory of "productive perversity," a theory which allows Asian/American women-and by extension other women of color-to lay claim to their own. 
588 0 |a Print version record. 
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650 0 |a Asian American women in motion pictures.  |0 http://id.loc.gov/authorities/subjects/sh2006008935. 
650 0 |a Erotic films  |x History and criticism.  |0 http://id.loc.gov/authorities/subjects/sh87002555. 
650 7 |a Asian American women in motion pictures.  |2 fast  |0 (OCoLC)fst01902439. 
650 7 |a Asians in motion pictures.  |2 fast  |0 (OCoLC)fst00818721. 
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