Women's experimental cinema [electronic resource] : critical frameworks / Robin Blaetz, editor.

Women's Experimental Cinema provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the 1950s and many of whom are still working today. In each essay in this collection, a leading film scholar considers a single filmmaker, supplying bio...

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Bibliographic Details
Online Access: Full Text (via Duke)
Other Authors: Blaetz, Robin, 1955-
Format: Electronic eBook
Language:English
Published: Durham : Duke University Press, 2007.
Subjects:

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245 0 0 |a Women's experimental cinema  |h [electronic resource] :  |b critical frameworks /  |c Robin Blaetz, editor. 
260 |a Durham :  |b Duke University Press,  |c 2007. 
300 |a 1 online resource (viii, 421 pages) 
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504 |a Includes bibliographical references (pages 385-400) and index. 
505 0 |a Swing and sway: Marie Menken's filmic events / Melissa Ragona -- Different/same/both/neither: the polycentric cinema of Joyce Wieland / Paul Arthur -- Excavating visual fields, layering auditory frames: signature, translation, resonance, and Gunvor Nelson's films / Chris Holmlund -- Moving and moving: from minimalism to Lives of performers / Noël Carroll -- Eye/body: the cinematic paintings of Carolee Schneemann / M.M. Serra and Kathryn Ramey -- "Absently enchanted": the apocryphal, ecstatic cinema of Barbara Rubin / Ara Osterweil -- Amy Greenfield: film, dynamic movement, and transformation / Robert A. Haller -- Barbara Hammer: lyrics and history / Chuck Kleinhans -- Chick Strand's experimental ethnography / Maria Pramaggiore -- Amnesis time: the films of Marjorie Keller / Robin Blaetz -- In the ruins of the image: the works of Leslie Thornton / Mary Ann Doane -- Sounds, intervals, and startling images in the films of Abigail Child / Maureen Turim -- Peggy's playhouse: contesting the modernist paradigm / William C. Wees -- Su Friedrich: breaking the rules / Janet Cutler -- The experimental "dunyementary": a cinematic signature effect / Kathleen McHugh -- Women's experimental cinema: some pedagogical challenges / Scott MacDonald. 
520 |a Women's Experimental Cinema provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the 1950s and many of whom are still working today. In each essay in this collection, a leading film scholar considers a single filmmaker, supplying biographical information, analyzing various influences on her work, examining the development of her corpus, and interpreting a significant number of individual films. The essays rescue the work of critically neglected but influential women filmmakers for teaching, further study, and, hopefully. 
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