Women's experimental cinema [electronic resource] : critical frameworks / Robin Blaetz, editor.
Women's Experimental Cinema provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the 1950s and many of whom are still working today. In each essay in this collection, a leading film scholar considers a single filmmaker, supplying bio...
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Language: | English |
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245 | 0 | 0 | |a Women's experimental cinema |h [electronic resource] : |b critical frameworks / |c Robin Blaetz, editor. |
260 | |a Durham : |b Duke University Press, |c 2007. | ||
300 | |a 1 online resource (viii, 421 pages) | ||
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504 | |a Includes bibliographical references (pages 385-400) and index. | ||
505 | 0 | |a Swing and sway: Marie Menken's filmic events / Melissa Ragona -- Different/same/both/neither: the polycentric cinema of Joyce Wieland / Paul Arthur -- Excavating visual fields, layering auditory frames: signature, translation, resonance, and Gunvor Nelson's films / Chris Holmlund -- Moving and moving: from minimalism to Lives of performers / Noël Carroll -- Eye/body: the cinematic paintings of Carolee Schneemann / M.M. Serra and Kathryn Ramey -- "Absently enchanted": the apocryphal, ecstatic cinema of Barbara Rubin / Ara Osterweil -- Amy Greenfield: film, dynamic movement, and transformation / Robert A. Haller -- Barbara Hammer: lyrics and history / Chuck Kleinhans -- Chick Strand's experimental ethnography / Maria Pramaggiore -- Amnesis time: the films of Marjorie Keller / Robin Blaetz -- In the ruins of the image: the works of Leslie Thornton / Mary Ann Doane -- Sounds, intervals, and startling images in the films of Abigail Child / Maureen Turim -- Peggy's playhouse: contesting the modernist paradigm / William C. Wees -- Su Friedrich: breaking the rules / Janet Cutler -- The experimental "dunyementary": a cinematic signature effect / Kathleen McHugh -- Women's experimental cinema: some pedagogical challenges / Scott MacDonald. | |
520 | |a Women's Experimental Cinema provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the 1950s and many of whom are still working today. In each essay in this collection, a leading film scholar considers a single filmmaker, supplying biographical information, analyzing various influences on her work, examining the development of her corpus, and interpreting a significant number of individual films. The essays rescue the work of critically neglected but influential women filmmakers for teaching, further study, and, hopefully. | ||
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650 | 7 | |a Women motion picture producers and directors. |2 fast |0 (OCoLC)fst01178163. | |
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655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635. | |
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