Animated documentary /

Animated documentary / by Annabelle Honess Roe, University of Surrey, UK.

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Animated Documentary, the first book to be published on this fascinating topic, considers how animation isused as a representational strategy in nonfiction film and television and exploresthe ways animation expands the range and depth of what documentary can show us about the world.

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Bibliographic Details
Online Access: Full Text (via ProQuest)
Main Author: Honess Roe, Annabelle
Format: eBook
Language:English
Published: Houndmills, Basingstoke, Hampshire ; New York : Palgrave Macmillan, 2013.
Subjects:
Documentary films > History and criticism.
Animated films > History and criticism.
Animated films.
Documentary films.
Criticism, interpretation, etc.
Table of Contents:
  • Introduction. Animation and documentary's shared history
  • Scope and organisation
  • Representational strategies. How animation is used in animated documentary
  • The ontology of animated documentary
  • Digital realities. Dino-docs and strategies of visual and aural authentication
  • Tracing the sights and sounds of reality in Rotoshop and Chicago
  • Paratextual authentication
  • The excess of animated realism
  • Animated interviews. Uncanny bodies
  • Absence as representational strategy
  • The expressive power of the disembodied voice
  • The world in here. More than the interview seen: Sheila Sofian's illustrated interviews
  • Inside out: animating subjective experience
  • Hybrids of reality
  • Animated awareness
  • Animated memories. (Dis)continuities: the self in history
  • The unspoken and the forgotten: the trauma in/of history in Silence and Waltz with Bashir
  • Afterword.

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