National performance : representing Quebec from Expo 67 to Céline Dion / Erin Hurley.
In National Performance, Erin Hurley examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ne...
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Toronto :
University of Toronto Press,
2011.
|
| Series: | Cultural spaces.
|
| Subjects: |
Table of Contents:
- Acknowledgments
- Introduction
- Marginals, Metaphors and Mimesis
- National Construction: Quebec's Modernity at Expo 67
- National Reflection: Michel Tremblay's Les belles-soeurs and le nouveau théâtre québécois
- National Simulation: Marco Micone's culture immigrée
- National Metonymy: Arresting images in the devised works of Carbone 14
- National Affection: Céline Dion
- Conclusion: Feminist (Re)production
- Notes
- References
- Index.