Crossing cultures : conflict, migration and convergence : the proceedings of the 32nd International Congress of the History of Art / edited by Jaynie Anderson.
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Corporate Authors: | , |
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Format: | Conference Proceeding Book |
Language: | English |
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Carlton, Vic. :
Miegunyah Press, Melbourne University Publishing,
2009.
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Series: | Miegunyah Press series.
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Table of Contents:
- A Melbourne conversation at the town hall on art, migration and indigeneity: what happens when cultures meet?
- Introduction to the conversation / Gerald Vaughan
- Playing between the lines: the Melbourne experience of crossing cultures / Jaynie Anderson
- Art in transit: give and take in Dutch art / Ronald de Leeuw
- Found in translation / Howard Morphy
- Hold it away: works of art as citizens and migrants / Michael Brand
- The travels of a Mi'kmaq coat: a nineteenth century world art history and twenty-first century cultural politics / Ruth B. Phillips
- Creating perspectives on global art history
- Joe Burk's Legacy: the history of art history in Melbourne / Andrew Grimwade
- The art of being aboriginal / Marcia Langton
- on global memory: reflections on barbaric transmission / Homi K. Bhabba
- Art histories in an interconnected world: synergies and new directions
- Beyond the national, inside the global: new identity strategies in Asian art in the twenty-first century / John Clark
- Not just images but art: pragmatic issues in the movement towards a more inclusive art history / Howard Morphy
- The world at stake: CIHA after Melbourne / Jaynie Anderson
- Global collections for global cities / Neil McGregor
- The idea of world art history
- introduction 1 / Thomas DaCosta Kaufmann
- Introduction 2 / Peter J. Schneemann
- Methodological ideological perspectives
- Neuroarthistory as world art history: why do humans make art and why do they make it differently in different times and places? / John Onians
- Towards historical art history / Piotr Piotrowski, Adam Mickiewicz
- Global aspects on Johnny Roosval's concept of the Artedominium / Jan von Bonsdorff
- Putting the world in a book: how global can art history be today? / Parul D. Mukberji, Jawaharlal Nehru
- From ideology to universal principles: Art history and the visual culture of the Balkans in the Ottoman Empire / Nenad Makuljevie
- From nation via immigration to world art: concepts and methods of Brazilian art theory / Jens Baumgarten
- Universalism and Utopia: Joseph Beuys and Alighiero Boetti as case studies for a world art history / Nicola Müllerschön
- Genius Loci: the revenge of the good Savage? / Carmen Popescu
- A survey of the current state of art history in China / Shao Dazhen
- Recent study in ancient Chinese art history in China / Yan Zheng
- Objects without Borders: cultural economy in the world of artifacts / Jennifer Purtle
- Fluid Borders: Mediterranean art histories
- Fluid Borders, hybrid objects: Mediterranean art histories 500-1500, questions of method and terminology / Gerhard Wolf
- Building identities: fluid Borders and 'international style' of monumental architecture in the bronze age / Louise A. Hitchcock
- Byzantine art in Italy: sixth-century as a matrix of confluence? / Felicity Harley McGowan
- 'image-paradigms' as a category of Mediterranean visual culture: a hierotopic approach to art history / Alexei Lidov
- The 'Golden Age' of Al-Andalus as remembered, or how nostalgia forged history / Avinoam Shalem
- Fluid picture-making across borders, genres, media: botanical illustration from Byzantium to Baghdad, ninth to thirteenth centuries / Alain Touwaide
- Greek painters working for Latin and non-Orthodox patrons in the late medieval Mediterranean: some preliminary remarks / Michele Bacci
- Sailing through time and space: how Cyriacus of Ancona rediscovered the classical past / Marina Belozerskaya
- Multi-ethnic Rome and the global Renaissance: Ethiopia, Armenia and cultural exchange with Rome during the fifteenth century / Christiane Esche-Ramshorn
- Hybrid Renaissance in Europe and beyond
- Introduction / Luke Morgan
- Hybrid Renaissance in Burgundy / Frederick Elsig
- Heterotopia in the Renaissance: modern hybrids as antiques in Bramante and Cima da Conegliano / Lorenzo Pericolo
- 'Gran Cosa e Roma': the noble parentage of architecture in early sixteenth century Portugal / Luisa Franca Luzio
- A bastard renaissance? Benedikt Ried, master IP and the question of renaissance in Central Europe / Pavel Kalina
- Difference, reputation and Utopia: early modern print's new worlds / Christopher P. Heuer
- The carnivalesque Renaissance / John Gregory
- 'Opinione Contraria': the anatomy of painful as an early drawing by Rosso Fiorentino / Vivien Gaston
- The hermaphrodite in the garden / Luke Morgan
- Reframing of the Renaissance problem today: developing a pluralistic historical vision / Claire Farago
- Do we still need a Renaissance? / Keith Moxey
- Cultural and artistic exchange in the making of the modern world, 1500-1900
- Introduction / Larry Silver
- Cultures and curiosity / Larry Silver
- Human sacrifice as symbolic capital: images of the violated Aztec body for a changing world, 1500-1900 and beyond / Cecelia F. Klein
- Public identity and the curial culture in Dutch Batavia / Dawn O'Dell
- 'exposure to your ways': China, the Dodge and early modern vision / Julie Hochstrasser
- The global Rembrandt / Catherine D. Scallen
- Images of bathing women in early modern Europe and Turkey / Patricia Simons
- Global encounters: conventions and interventions in Hans Burgkmair's images of natives of Africa, India and the New World / Ashley West
- Patterns of domestication: exotic animals, plants and people in Australian and European decorative arts / Dagmar Eichberger
- Dressing up like the cannibals? Adriaen Hanneman's portrait of Princess Mary Stuart in a Tupi feather cape / Rebecca Parker Brienen
- Tupi feather work and the dynamics of intercultural exchange in early modern Brazil / Amy J. Buono
- The visual subplot: local art, global trade and the socio-ethnic of exchange, Amsterdam 1580-1680 / Elisabeth de Bievre
- Visual elaborations: Fausto Zonaro's 'Ottoman' self-portraits / Mary Roberts
- The brush and the burin: Mogul encounters with European engravings / Yael Rice
- Imperial exchanges of goods and national identities: Victorian and and Swadeshi views of crafts under the Raj / Julie Codell
- 'a glance into a new world': three approaches to Japan, by Christopher Dresser, Siegfried Bing and Justice Brinkmann / Rüdiger Joppien
- George French Angas: colonial artist at large / Philip Jones
- The wanderer, the slave and the aboriginal: Augustus Earle in Rio de Jeneiro and Sydney in the 1920s / Sarah Thomas
- Exchange, gifting, identity and writing history in Fin-de-Siecle Tahiti / Elisabeth C. Childs
- Representations of nature across cultures before the 20th century
- Introduction / Frederick Asher
- Capturing nature's inner truth: the 'true view' concept in China, Korea and Japan / Khauh Triuh
- Beauty and truth in nature: Japan and the West / Gary Hickory
- Landscape as placeness in the art of India / Frederick Asher
- Exoticism at home: the artist as explorer in nineteenth-century Sweden / Bengt Lärkner
- The sacred across cultures
- Introduction / Robert Gaston
- Plato's dilemma: art, religion and amnesia / Donald Preziosi
- 'Strangers in a strange new land': how the immigrant colonizer and the conqueror use sacred architecture to establish identity / Ann Thomas Wilkins, and David G. Wilkins
- Holy topographies: aboriginal art from the desert regions and its spiritual relation to western perceptual painting / Robert Nelson
- Visualizing ancestor spirits: name tablets or portraits? / Insoo Cho
- Houses of God, gates of heaven, doors of grace: changes in perception of Lutheran church interiors as 'holy places' / Marcin Wislocki
- Secular Florentines and sacred images / Dale Kent
- 'God is love': representations of Christianity in indigenous art from Ngukurr, Southeast Arnhem land / Cath Bowdler
- Sacred country: ancient footsteps, new pathways / Donna Leslie
- A new conceptualization of Australian religious iconography: the case of David Wright / Peter French
- From silence to multiple incorporation: art and Afro-Brazilian religions / Roberto Conduru
- Trees growing in the wilderness and statues of miracle working madonnas / Zirka Z.
- Filipezak
- A case of spiritual colonization? The production and reception history of a contentious altarpiece in Jukkasjärvi Church in Lapland, Sweden / Britt-Inger Johansson
- Chartres, Chichester and Ajanta: the neo-medievalism of Eric Gill / Irena Kossowska
- A pantheon rediscovered? / Naman P. Ahuja, Jawaharlal Nahru
- Sanctity at the interstices of fine art and popular culture: a case of Esther Helenius / Tutta Palin
- Intersections of time and place in books of hours / Bronwyn Stocks
- A form of secession / Junko Ninagawa
- A new plague saint for Renaissance Italy: suffering and sanctity in narrative cycles of Saint Roch / Louise Marshall
- Sites of convergence and divergence: private devotional sites in sixteenth century Rome / Glenys L. Adams
- Materiality across cultures
- Introduction / John Bomford
- Lapis Lazuli: moving stones at the heart of power / Spike Bucklow
- Materials, origins and the nature of early Italian painting / Anne Dunlop
- Routes and meaning: the use of red marble in medieval Central Europe / Pal Lovei
- Alabastrum Effoditur Pulcherrimum and Candissimum: the influence of imported southern Netherlandish sculpture on the reception of alabaster in Central Europe in the 16th century / Aleksandra Lipinska
- Mosaic and dreaming: materiality, migration and memory / Joan Barklay Lloyd, Alison Inglis
- Outsiders' and Arnhem Landers' material exchanges / Louise Hamby
- Painting practice in the Philippines: two institutionalized practices and their materials and techniques / Nicole Tse, Ana Maria Teresa Labrador and Robyn Sloggett
- A convergence of cultures: Max Meldrum's art theory and practice / Alexandra Ellem
- The Gamelan: melding conservation issues with the Javanese spiritual beliefs / Holly Jones-Amin
- Memory and architecture
- Introduction / Deborah Howard and Philip Goad
- Multiple memories: lives of the Taj Mahal / Catherine B. Asher
- The Alhambra in Granada and the memory of its Islamic past / Francine Giese-Vögeli
- Curzon, Kedelston and Government House, Calcutta / Sten Ake Nilsson
- Remembering the Middle Ages: responses to the Gothic revival in colonial New Zealand / Ian Lochhead
- Traveling within memory: vicarious travel and imagined voyages / Nicole Sully
- Moving Finnish houses: the knowledge of objects in former Finnish Karelia
- Nation, style, memory: the Crakow experience / Jacek Purchla
- Komar and Melamid: the future memory of international modernism / Joe A. Thomas
- Traces of Utopia: on the architectural renderings published in Kunstwissenschaftliche Forschungen, c. 1933 / Justine Price
- Marks and Rembrancers: Alison and Peter Smithson's architectural memory / Ryan Johnston
- A strange case of cultural borrowing: the Australian Pavilion at Expo '70, Osaka / Carolyn Barnes and Simon Jackson
- Analogous landscapes / Hannah Lewi
- Art and migration
- Introduction / Joan Barklay Lloyd and Stephen Bann
- Migration of elements in Islamic art into Italy from Spain and the Balearic Islands in the fourteenth century / Gottfried Kerscher
- Mahmud al-Kurdi and his Italian customer / Stefano Carboni
- The Gypsies and their impact in fifteenth century Western European iconography / Irwin Pokorny
- The Ecole de Paris, inside and out: reconsidering the experience of foreign artist in interwar France / Kate Kangaslahti
- Polish artists in France 1918-39: discussion concerning art / Anna Wierzbicka
- Koji Kamoji: a bridge between haiku and Christian mysticism / Lukasz Kossowski
- The role of international exhibitions in the diffusion of a global memory / Martine Bouchier
- Displaced objects, objects in exile? Changing virtues of Cameroon objects in the West / Alexandra Loumpet-Galitzine
- Landscapes of imagination: migration and place in contemporary Iranian art / Alisa Eimen
- Moving pictures: art, Ireland and migration / Yvonne Scott
- Multiplicity of artistic migration in the representation of return: the Odyssey, Hebdomeros and postmodernity in the art of Giorgio de Chirico / Mayumi Abe
- Art and war
- Introduction / Nigel Lendon andThierry Dufrene
- Bartholomaus Strobel the Younger and the 30 years war / Jan Harasimowicz
- Landscape and the memory of war / Catherine Speck
- Vasily Vereshchagin's campaign: colonial war and representation of Russia's others / Natasha Medvedev
- Feature films and the shock of the real: regarding wartime documents in art-house cinema and beyond / Wolfgang Brückle
- Surviving war: uniting the nation in postwar Finnish mural paintings / Johanna Ruohonen
- Complexities: Abu Ghraib, contemporary art in the currency of images / Morgan Thomas
- Pyrotechnics: from war to art and back / Thierry Dufrene
- Beauty and horror: identity and conflict in the war carpets of Afghanistan / Nigel Lendon
- Media/ting conflict: Iranian posters of the Iran-Iraq war / Christine J. Gruber
- Art in the face of 'the project for the new American Century': a postmodern Rake's progress / Dick Averns
- Art and clashing urban cultures
- Introduction / Peter Krieger
- Manet's Le Dejeuner sur l'herbe: resisting the Parisian 'non-place' during Haussmannisation / Bradley Fratello
- Air travel and omnipresent disaster / Melissa Laing
- Changing politics, changing cityscapes: redesigning, redefining and contesting public space in post-communist Central Europe / Arnold Bartetzky
- Redfern resistance / Catherine de Lorenzo
- Urban bush bashing? Some indigenous artists' responses to the Australian government's emergency intervention in the northern territory / Susan Lowish
- Global modern art: the world inside out and upside down
- Introduction / Andrea Giunta
- Art and nation: to Rome and back / Laura Malosetti Costa
- 'That arid feeling for the burnt bush': Giorgio de Chirico's wandering Jew, metaphysical painting and 'Semitic Atavism' / Ara H. Merjian
- Wounded: Lucio Fontana's wartime sculpture in Italy and Argentina / Anthony White
- Surrealism in the antipodes: on James Gleeson's exile / David Lomas
- From constructivism to pop: avant-garde practices in Brazil, Britain and North America between the 1950s and 1960s / Michael Ashbury
- Picasso's Guernica in Latin America / Andrea Giunta
- 'Much more than parrots and banana trees': the art of Helio Oiticica in the 1960s / Maria de Fatima Morethy Couto
- 'From Reo del Plata to the Seine' and back: Pierre Restany and Damian Bayon / Isabel Plante
- Our old Koroua Picasso: Maori modernist art in Aotearoa, New Zealand / Damien Skinner
- Pilgrimage and periphery: Robert Smithson's Spiral Jetty and the discourse of tourism / Chris McAuliffe
- Indigeneity / aboriginality, art/culture and institutions
- Introduction / Jonathan Mane-Wheoki
- Belonging and homelands: negotiating identity in Aotearoa, New Zealand / Caroline Vercoe
- Between the indigenous and the exotic: landscapes of Hokkaido and the Russian Far East / Hisashi Yakou
- The reclamation of Southeast Australian aboriginal art practices / Vicki Couzens, Kaawirn Kuunawarn
- Indigenous material culture in the digital age / Lyndon Ormonde-Parker
- 'My art talks about link': the peregrinations of Yolngu art in a globalized world / Jessica de Largy Healy
- Performing landscape and memory: Gija local and global art circulation / Arnaud Morvan
- Post colonial pasts and post-indigenous futures? A cultural genealogy of museums and 'Maori art' / Conal McCarthy
- Indigeneity and the museum paradigm: contacts and debates surrounding the opening ceremonies and exhibitions at the national Museum of the American Indian in Washington DC, September 2004 / Stephanie Pratt
- A crisis in identity: Australian indigenous culture, primitivism and modernism in 'recent Australian painting' at the Whitechapel art gallery 1961 / Sarah Scott
- Circuit breaking? Indigenous Australian art and critical discourse / Julie Gough and Stephen Naylor
- Aboriginalties and nationalities: Shaping art history in the postcolonial museum / Anne Whitelaw
- Parallel conversions: Asian art histories in the twentieth and twenty first centuries
- Introduction / Toshiharu Omuka and John Clark
- The concept of 'art' in Japan and international expositions of the Meiji period / Shimura Shoko
- Takeuchi Seiho, Chigusa Soun, and John Ruskin's modern painters: reconciling realism with Japanese painting, 1900-1910 / John D. Szostak
- Amerita Sher-Gil: transformation of the premodern to the modern in early twentieth-century Indian art / Yashodara Dalmia
- Global consciousness of yoga self portraiture / Bert Winther-Tamaki
- Realism as a tool of national modernization in the reformist discourse of late nineteenth and early twentieth century China / Francesca Dal Lago
- New categories, new history: 'the preliminary exhibition of Chinese art' in Shanghai, 1935 / Hui Guo
- Alternative fashion histories: sartorial modernity in East Asia / Toby Slade
- The impact of censorship, conflict and the Diaz Barack of Vietnamese art history / Annette van den Bosch and Boitran Huynb-Beattie
- Contending with present pasts: on developing Southeast Asian art histories / Michelle Antoinette
- Picturing early 20th century Sino-Japanese art relations in Omura Seigai's 'Shina Rekiyu Dan': an account of making art history in the 1920s / Oliver Krischer
- Why realism? From social realism to non-realism in modern Chinese art / Yiyang Shao
- Interconnectedness of performance art festivals across and beyond Asia / Silvia Fok Siu Har
- Shanghai dream theater: (re)imagining the city, the condition of existence and the new Shanghai surreal / Thomas J. Berghuis
- The artist as image decoder: Ni Haifeng's agency between Europe and China / Kitty Zijlmans
- Art histories at the crossroads: 'Asian' art in Australia / Francis Maravillas
- A kiss to Matisse: strategies for histories of modernism in Central Asia. Uzbekistan in the 1920s, Kazakhstan in the 1980s-1990s / Jane A. Sharp
- Constructing transnational identities: Paik Nam June and Lee Ufan / Youngna Kim
- Contemporaneity in art and its history
- Introduction / Terry Smith
- Writing the history of contemporary Art: a distinction, three propositions and six lines of inquiry / Terry Smith
- Historicity and aboriginal Art: how long will it take for aboriginal Art to become modern? / Ian Maclean
- Contemporaneity in Inuit art through the 20th and early 21st centuries / Cecile Pelaudeix
- Topographies of chance: tracing the 'contemporary' in 1960s France / Jill Carrick
- Periodizing contemporary art / Alexander Alberro
- Global visions, global contemporaneity: video art in Australia / Daniel Palmer
- The Atlas effect: constraint, freedom and the circulation of images / Charles Green
- On the 'evental' installations: contemporary Art and politics of presence / Anthony Gardner
- New media across the cultures
- Introduction / Ross Gibson
- Old traces on a new body / Dirk de Bruyn
- Transients: indigenous, settler and migrant media / Sean Cubitt
- Imagining the future: issues in writing and researching arts histories in a digital age with the DAAO / Vivian Johnson and Joanna Mendelssohn
- Painting as a new medium: the reversed canvas in colonial art / Richard Read
- The fiction of art history: imaginary providences in media art in South Asia / Shuddhabrata Sengupta
- Economies of desire: art collecting and dealing across cultures
- Introduction / Christopher R. Marshall
- The impact of unscrupulous dealers unsustainability in the Australian aboriginal desert paintings market: a view from the high end / Meaghan Wilson-Anastasios and Neil De Marchi
- A fine Romance: white money, black art / Philip Batty
- The paradox of collecting the 'other': Percy Grainger's collecting of non-Western cultures / Belinda Nemec
- Art dealing as medium of cultural transfer / Michael North
- Crossing thresholds: the hybrid identities of late 19th-century art dealers / Christian Huemer
- Small mirrors to large empires: towards a theory of meta-museums in contemporary art / Khadija Z Carroll
- Framing confusion: varieties of collecting and display at the Museo Poldi Pezzoli, Milan / Christopher R. Marshall
- An art collecting in Argentina, or how the pre-Columbian past became an object of desire / Maria Isabel Baldassare
- New museums across cultures
- Introduction / Jonathan Sweet
- The modern museum in China / Zhang Gan
- The uncanny space of Daniel Libeskind's Jewish Museum / Julia Walker
- New museums: institutionalization of contemporary Art in Central Europe. Crossing inspirations / Katarzyna Jagodzinska
- Problematics of postcolonial dislocation in the case of the national Museum of contemporary Art in Bucharest / Cristina Albu
- Out of context: towards presentation of Japanese art in western museums / Chiaki Ajioka
- Constructing tribal architectures and identities in Native American museums and cultural centers / Anne L. Marshall
- Creating cultural citizenship out of contemporary art at the national Museum of the American Indian? / Kyle Message
- The cosmopolitan museum (of art) / Milan Kreuzzieger
- Repatriation
- Introduction / Dario Gamboni
- Art history and repatriation: a case of mutual illumination? / Dario Gamboni
- Shrewd calculations / Kenneth Lapatin
- Repatriating sanctity, or how the Dukes of Bavaria rescued saints during the Reformation / Jeffrey Chipps Smith
- Alexander Newman (Bielitz 1861 - Wellington 1947): portfolio in exile / Andrew Leach
- Repatriation Anti Patria: repatriating for Tibet / Kavita Singh
- Returning Veronese's the wedding at Cana to Venice: some issues concerning originality and repatriation / Adam Lowe
- Arbitration and mediation is alternative resolution mechanisms in disputes relating to the restitution of cultural property / Marc-Andre Renold.