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Crossing cultures : conflict, migration and convergence : the proceedings of the 32nd International Congress of the History of Art / edited by Jaynie Anderson.

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Bibliographic Details
Corporate Authors: Comité international d'histoire de l'art, International Congress of the History of Art
Other Authors: Anderson, Jaynie
Format: Conference Proceeding Book
Language:English
Published: Carlton, Vic. : Miegunyah Press, Melbourne University Publishing, 2009.
Series:Miegunyah Press series.
Subjects:
Art > History > Congresses.
Art and globalization > Congresses.
Arts and globalization > Congresses.

MARC

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037 |b Melbourne UniversityPublishing, Level 1, 187 Grattan St, Carlton VIC 3053 
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245 0 0 |a Crossing cultures :  |b conflict, migration and convergence : the proceedings of the 32nd International Congress of the History of Art /  |c edited by Jaynie Anderson. 
260 |a Carlton, Vic. :  |b Miegunyah Press, Melbourne University Publishing,  |c 2009. 
300 |a xviii, 1,108 pages :  |b color illustrations ;  |c 28 cm. 
336 |a text  |b txt  |2 rdacontent. 
337 |a unmediated  |b n  |2 rdamedia. 
338 |a volume  |b nc  |2 rdacarrier. 
490 1 |a Miegunyah Press series. 
500 |a "Comité International d'Histoire de l'Art, CIHA, The University of Melbourne, 13-18 January 2008." 
504 |a Includes bibliographical references and index. 
505 2 0 |g A  |t Melbourne conversation at the town hall on art, migration and indigeneity: what happens when cultures meet? --  |t Introduction to the conversation /  |r Gerald Vaughan --  |t Playing between the lines: the Melbourne experience of crossing cultures /  |r Jaynie Anderson --  |t Art in transit: give and take in Dutch art /  |r Ronald de Leeuw --  |t Found in translation /  |r Howard Morphy --  |t Hold it away: works of art as citizens and migrants /  |r Michael Brand --  |g The  |t travels of a Mi'kmaq coat: a nineteenth century world art history and twenty-first century cultural politics /  |r Ruth B. Phillips --  |t Creating perspectives on global art history --  |t Joe Burk's Legacy: the history of art history in Melbourne /  |r Andrew Grimwade --  |g The  |t art of being aboriginal /  |r Marcia Langton -- on global memory: reflections on barbaric transmission /  |r Homi K. Bhabba --  |t Art histories in an interconnected world: synergies and new directions --  |t Beyond the national, inside the global: new identity strategies in Asian art in the twenty-first century /  |r John Clark --  |t Not just images but art: pragmatic issues in the movement towards a more inclusive art history /  |r Howard Morphy --  |g The  |t world at stake: CIHA after Melbourne /  |r Jaynie Anderson --  |t Global collections for global cities /  |r Neil McGregor --  |g The  |t idea of world art history --  |t introduction 1 /  |r Thomas DaCosta Kaufmann --  |t Introduction 2 /  |r Peter J. Schneemann --  |t Methodological ideological perspectives --  |t Neuroarthistory as world art history: why do humans make art and why do they make it differently in different times and places? /  |r John Onians --  |t Towards historical art history /  |r Piotr Piotrowski, Adam Mickiewicz --  |t Global aspects on Johnny Roosval's concept of the Artedominium /  |r Jan von Bonsdorff --  |t Putting the world in a book: how global can art history be today? /  |r Parul D. Mukberji, Jawaharlal Nehru --  |t From ideology to universal principles: Art history and the visual culture of the Balkans in the Ottoman Empire /  |r Nenad Makuljevie --  |t From nation via immigration to world art: concepts and methods of Brazilian art theory /  |r Jens Baumgarten --  |t Universalism and Utopia: Joseph Beuys and Alighiero Boetti as case studies for a world art history /  |r Nicola Müllerschön --  |t Genius Loci: the revenge of the good Savage? /  |r Carmen Popescu --  |g A  |t survey of the current state of art history in China /  |r Shao Dazhen --  |t Recent study in ancient Chinese art history in China /  |r Yan Zheng --  |t Objects without Borders: cultural economy in the world of artifacts /  |r Jennifer Purtle --  |t Fluid Borders: Mediterranean art histories --  |t Fluid Borders, hybrid objects: Mediterranean art histories 500-1500, questions of method and terminology /  |r Gerhard Wolf --  |t Building identities: fluid Borders and 'international style' of monumental architecture in the bronze age /  |r Louise A. Hitchcock --  |t Byzantine art in Italy: sixth-century as a matrix of confluence? /  |r Felicity Harley McGowan --  |t 'image-paradigms' as a category of Mediterranean visual culture: a hierotopic approach to art history /  |r Alexei Lidov --  |g The  |t 'Golden Age' of Al-Andalus as remembered, or how nostalgia forged history /  |r Avinoam Shalem --  |t Fluid picture-making across borders, genres, media: botanical illustration from Byzantium to Baghdad, ninth to thirteenth centuries /  |r Alain Touwaide --  |t Greek painters working for Latin and non-Orthodox patrons in the late medieval Mediterranean: some preliminary remarks /  |r Michele Bacci --  |t Sailing through time and space: how Cyriacus of Ancona rediscovered the classical past /  |r Marina Belozerskaya --  |t Multi-ethnic Rome and the global Renaissance: Ethiopia, Armenia and cultural exchange with Rome during the fifteenth century /  |r Christiane Esche-Ramshorn --  |t Hybrid Renaissance in Europe and beyond --  |t Introduction /  |r Luke Morgan --  |t Hybrid Renaissance in Burgundy /  |r Frederick Elsig --  |t Heterotopia in the Renaissance: modern hybrids as antiques in Bramante and Cima da Conegliano /  |r Lorenzo Pericolo --  |t 'Gran Cosa e Roma': the noble parentage of architecture in early sixteenth century Portugal /  |r Luisa Franca Luzio --  |g A  |t bastard renaissance? Benedikt Ried, master IP and the question of renaissance in Central Europe /  |r Pavel Kalina --  |t Difference, reputation and Utopia: early modern print's new worlds /  |r Christopher P. Heuer --  |g The  |t carnivalesque Renaissance /  |r John Gregory --  |t 'Opinione Contraria': the anatomy of painful as an early drawing by Rosso Fiorentino /  |r Vivien Gaston --  |g The  |t hermaphrodite in the garden /  |r Luke Morgan --  |t Reframing of the Renaissance problem today: developing a pluralistic historical vision /  |r Claire Farago --  |t Do we still need a Renaissance? /  |r Keith Moxey --  |t Cultural and artistic exchange in the making of the modern world, 1500-1900 --  |t Introduction /  |r Larry Silver --  |t Cultures and curiosity /  |r Larry Silver --  |t Human sacrifice as symbolic capital: images of the violated Aztec body for a changing world, 1500-1900 and beyond /  |r Cecelia F. Klein --  |t Public identity and the curial culture in Dutch Batavia /  |r Dawn O'Dell --  |t 'exposure to your ways': China, the Dodge and early modern vision /  |r Julie Hochstrasser --  |g The  |t global Rembrandt /  |r Catherine D. Scallen --  |t Images of bathing women in early modern Europe and Turkey /  |r Patricia Simons --  |t Global encounters: conventions and interventions in Hans Burgkmair's images of natives of Africa, India and the New World /  |r Ashley West --  |t Patterns of domestication: exotic animals, plants and people in Australian and European decorative arts /  |r Dagmar Eichberger --  |t Dressing up like the cannibals? Adriaen Hanneman's portrait of Princess Mary Stuart in a Tupi feather cape /  |r Rebecca Parker Brienen --  |t Tupi feather work and the dynamics of intercultural exchange in early modern Brazil /  |r Amy J. Buono --  |g The  |t visual subplot: local art, global trade and the socio-ethnic of exchange, Amsterdam 1580-1680 /  |r Elisabeth de Bievre --  |t Visual elaborations: Fausto Zonaro's 'Ottoman' self-portraits /  |r Mary Roberts --  |g The  |t brush and the burin: Mogul encounters with European engravings /  |r Yael Rice --  |t Imperial exchanges of goods and national identities: Victorian and and Swadeshi views of crafts under the Raj /  |r Julie Codell --  |g 'a  |t glance into a new world': three approaches to Japan, by Christopher Dresser, Siegfried Bing and Justice Brinkmann /  |r Rüdiger Joppien --  |t George French Angas: colonial artist at large /  |r Philip Jones --  |g The  |t wanderer, the slave and the aboriginal: Augustus Earle in Rio de Jeneiro and Sydney in the 1920s /  |r Sarah Thomas --  |t Exchange, gifting, identity and writing history in Fin-de-Siecle Tahiti /  |r Elisabeth C. Childs --  |t Representations of nature across cultures before the 20th century --  |t Introduction /  |r Frederick Asher --  |t Capturing nature's inner truth: the 'true view' concept in China, Korea and Japan /  |r Khauh Triuh --  |t Beauty and truth in nature: Japan and the West /  |r Gary Hickory --  |t Landscape as placeness in the art of India /  |r Frederick Asher --  |t Exoticism at home: the artist as explorer in nineteenth-century Sweden /  |r Bengt Lärkner --  |g The  |t sacred across cultures --  |t Introduction /  |r Robert Gaston --  |t Plato's dilemma: art, religion and amnesia /  |r Donald Preziosi --  |t 'Strangers in a strange new land': how the immigrant colonizer and the conqueror use sacred architecture to establish identity /  |r Ann Thomas Wilkins, and David G. Wilkins --  |t Holy topographies: aboriginal art from the desert regions and its spiritual relation to western perceptual painting /  |r Robert Nelson --  |t Visualizing ancestor spirits: name tablets or portraits? /  |r Insoo Cho --  |t Houses of God, gates of heaven, doors of grace: changes in perception of Lutheran church interiors as 'holy places' /  |r Marcin Wislocki --  |t Secular Florentines and sacred images /  |r Dale Kent --  |t 'God is love': representations of Christianity in indigenous art from Ngukurr, Southeast Arnhem land /  |r Cath Bowdler --  |t Sacred country: ancient footsteps, new pathways /  |r Donna Leslie --  |g A  |t new conceptualization of Australian religious iconography: the case of David Wright /  |r Peter French --  |t From silence to multiple incorporation: art and Afro-Brazilian religions /  |r Roberto Conduru --  |t Trees growing in the wilderness and statues of miracle working madonnas /  |r Zirka Z.  
505 2 0 |r Filipezak --  |g A  |t case of spiritual colonization? The production and reception history of a contentious altarpiece in Jukkasjärvi Church in Lapland, Sweden /  |r Britt-Inger Johansson -- Chartres, Chichester and Ajanta: the neo-medievalism of Eric Gill /  |r Irena Kossowska --  |g A  |t pantheon rediscovered? /  |r Naman P. Ahuja, Jawaharlal Nahru --  |t Sanctity at the interstices of fine art and popular culture: a case of Esther Helenius /  |r Tutta Palin --  |t Intersections of time and place in books of hours /  |r Bronwyn Stocks --  |g A  |t form of secession /  |r Junko Ninagawa --  |g A  |t new plague saint for Renaissance Italy: suffering and sanctity in narrative cycles of Saint Roch /  |r Louise Marshall --  |t Sites of convergence and divergence: private devotional sites in sixteenth century Rome /  |r Glenys L. Adams -- 
505 2 0 |t Materiality across cultures --  |t Introduction /  |r John Bomford --  |t Lapis Lazuli: moving stones at the heart of power /  |r Spike Bucklow --  |t Materials, origins and the nature of early Italian painting /  |r Anne Dunlop --  |t Routes and meaning: the use of red marble in medieval Central Europe /  |r Pal Lovei --  |t Alabastrum Effoditur Pulcherrimum and Candissimum: the influence of imported southern Netherlandish sculpture on the reception of alabaster in Central Europe in the 16th century /  |r Aleksandra Lipinska --  |t Mosaic and dreaming: materiality, migration and memory /  |r Joan Barklay Lloyd, Alison Inglis --  |t Outsiders' and Arnhem Landers' material exchanges /  |r Louise Hamby --  |t Painting practice in the Philippines: two institutionalized practices and their materials and techniques /  |r Nicole Tse, Ana Maria Teresa Labrador and Robyn Sloggett --  |g A  |t convergence of cultures: Max Meldrum's art theory and practice /  |r Alexandra Ellem --  |g The  |t Gamelan: melding conservation issues with the Javanese spiritual beliefs /  |r Holly Jones-Amin --  |t Memory and architecture --  |t Introduction /  |r Deborah Howard and Philip Goad --  |t Multiple memories: lives of the Taj Mahal /  |r Catherine B. Asher --  |g The  |t Alhambra in Granada and the memory of its Islamic past /  |r Francine Giese-Vögeli --  |t Curzon, Kedelston and Government House, Calcutta /  |r Sten Ake Nilsson --  |t Remembering the Middle Ages: responses to the Gothic revival in colonial New Zealand /  |r Ian Lochhead --  |t Traveling within memory: vicarious travel and imagined voyages /  |r Nicole Sully --  |t Moving Finnish houses: the knowledge of objects in former Finnish Karelia --  |t Nation, style, memory: the Crakow experience /  |r Jacek Purchla --  |t Komar and Melamid: the future memory of international modernism /  |r Joe A. Thomas --  |t Traces of Utopia: on the architectural renderings published in Kunstwissenschaftliche Forschungen, c. 1933 /  |r Justine Price --  |t Marks and Rembrancers: Alison and Peter Smithson's architectural memory /  |r Ryan Johnston --  |g A  |t strange case of cultural borrowing: the Australian Pavilion at Expo '70, Osaka /  |r Carolyn Barnes and Simon Jackson --  |t Analogous landscapes /  |r Hannah Lewi --  |t Art and migration --  |t Introduction /  |r Joan Barklay Lloyd and Stephen Bann --  |t Migration of elements in Islamic art into Italy from Spain and the Balearic Islands in the fourteenth century /  |r Gottfried Kerscher --  |t Mahmud al-Kurdi and his Italian customer /  |r Stefano Carboni --  |g The  |t Gypsies and their impact in fifteenth century Western European iconography /  |r Irwin Pokorny --  |g The  |t Ecole de Paris, inside and out: reconsidering the experience of foreign artist in interwar France /  |r Kate Kangaslahti --  |t Polish artists in France 1918-39: discussion concerning art /  |r Anna Wierzbicka --  |t Koji Kamoji: a bridge between haiku and Christian mysticism /  |r Lukasz Kossowski --  |g The  |t role of international exhibitions in the diffusion of a global memory /  |r Martine Bouchier --  |t Displaced objects, objects in exile? Changing virtues of Cameroon objects in the West /  |r Alexandra Loumpet-Galitzine --  |t Landscapes of imagination: migration and place in contemporary Iranian art /  |r Alisa Eimen --  |t Moving pictures: art, Ireland and migration /  |r Yvonne Scott --  |t Multiplicity of artistic migration in the representation of return: the Odyssey, Hebdomeros and postmodernity in the art of Giorgio de Chirico /  |r Mayumi Abe --  |t Art and war --  |t Introduction /  |r Nigel Lendon andThierry Dufrene --  |t Bartholomaus Strobel the Younger and the 30 years war /  |r Jan Harasimowicz --  |t Landscape and the memory of war /  |r Catherine Speck --  |t Vasily Vereshchagin's campaign: colonial war and representation of Russia's others /  |r Natasha Medvedev --  |t Feature films and the shock of the real: regarding wartime documents in art-house cinema and beyond /  |r Wolfgang Brückle --  |t Surviving war: uniting the nation in postwar Finnish mural paintings /  |r Johanna Ruohonen --  |t Complexities: Abu Ghraib, contemporary art in the currency of images /  |r Morgan Thomas --  |t Pyrotechnics: from war to art and back /  |r Thierry Dufrene --  |t Beauty and horror: identity and conflict in the war carpets of Afghanistan /  |r Nigel Lendon --  |t Media/ting conflict: Iranian posters of the Iran-Iraq war /  |r Christine J. Gruber --  |t Art in the face of 'the project for the new American Century': a postmodern Rake's progress /  |r Dick Averns --  |t Art and clashing urban cultures --  |t Introduction /  |r Peter Krieger --  |t Manet's Le Dejeuner sur l'herbe: resisting the Parisian 'non-place' during Haussmannisation /  |r Bradley Fratello --  |t Air travel and omnipresent disaster /  |r Melissa Laing --  |t Changing politics, changing cityscapes: redesigning, redefining and contesting public space in post-communist Central Europe /  |r Arnold Bartetzky --  |t Redfern resistance /  |r Catherine de Lorenzo --  |t Urban bush bashing? Some indigenous artists' responses to the Australian government's emergency intervention in the northern territory /  |r Susan Lowish --  |t Global modern art: the world inside out and upside down --  |t Introduction /  |r Andrea Giunta --  |t Art and nation: to Rome and back /  |r Laura Malosetti Costa --  |t 'That arid feeling for the burnt bush': Giorgio de Chirico's wandering Jew, metaphysical painting and 'Semitic Atavism' /  |r Ara H. Merjian --  |t Wounded: Lucio Fontana's wartime sculpture in Italy and Argentina /  |r Anthony White --  |t Surrealism in the antipodes: on James Gleeson's exile /  |r David Lomas --  |t From constructivism to pop: avant-garde practices in Brazil, Britain and North America between the 1950s and 1960s /  |r Michael Ashbury --  |t Picasso's Guernica in Latin America /  |r Andrea Giunta --  |t 'Much more than parrots and banana trees': the art of Helio Oiticica in the 1960s /  |r Maria de Fatima Morethy Couto --  |t 'From Reo del Plata to the Seine' and back: Pierre Restany and Damian Bayon /  |r Isabel Plante --  |t Our old Koroua Picasso: Maori modernist art in Aotearoa, New Zealand /  |r Damien Skinner --  |t Pilgrimage and periphery: Robert Smithson's Spiral Jetty and the discourse of tourism /  |r Chris McAuliffe --  |t Indigeneity / aboriginality, art/culture and institutions --  |t Introduction /  |r Jonathan Mane-Wheoki --  |t Belonging and homelands: negotiating identity in Aotearoa, New Zealand /  |r Caroline Vercoe --  |t Between the indigenous and the exotic: landscapes of Hokkaido and the Russian Far East /  |r Hisashi Yakou --  |g The  |t reclamation of Southeast Australian aboriginal art practices /  |r Vicki Couzens, Kaawirn Kuunawarn --  |t Indigenous material culture in the digital age /  |r Lyndon Ormonde-Parker --  |t 'My art talks about link': the peregrinations of Yolngu art in a globalized world /  |r Jessica de Largy Healy --  |t Performing landscape and memory: Gija local and global art circulation /  |r Arnaud Morvan --  |t Post colonial pasts and post-indigenous futures? A cultural genealogy of museums and 'Maori art' /  |r Conal McCarthy --  |t Indigeneity and the museum paradigm: contacts and debates surrounding the opening ceremonies and exhibitions at the national Museum of the American Indian in Washington DC, September 2004 /  |r Stephanie Pratt --  |g A  |t crisis in identity: Australian indigenous culture, primitivism and modernism in 'recent Australian painting' at the Whitechapel art gallery 1961 /  |r Sarah Scott --  |t Circuit breaking? Indigenous Australian art and critical discourse /  |r Julie Gough and Stephen Naylor --  |t Aboriginalties and nationalities: Shaping art history in the postcolonial museum /  |r Anne Whitelaw -- 
505 2 0 |t Parallel conversions: Asian art histories in the twentieth and twenty first centuries --  |t Introduction /  |r Toshiharu Omuka and John Clark --  |g The  |t concept of 'art' in Japan and international expositions of the Meiji period /  |r Shimura Shoko --  |t Takeuchi Seiho, Chigusa Soun, and John Ruskin's modern painters: reconciling realism with Japanese painting, 1900-1910 /  |r John D. Szostak --  |t Amerita Sher-Gil: transformation of the premodern to the modern in early twentieth-century Indian art /  |r Yashodara Dalmia --  |t Global consciousness of yoga self portraiture /  |r Bert Winther-Tamaki --  |t Realism as a tool of national modernization in the reformist discourse of late nineteenth and early twentieth century China /  |r Francesca Dal Lago --  |t New categories, new history: 'the preliminary exhibition of Chinese art' in Shanghai, 1935 /  |r Hui Guo --  |t Alternative fashion histories: sartorial modernity in East Asia /  |r Toby Slade --  |g The  |t impact of censorship, conflict and the Diaz Barack of Vietnamese art history /  |r Annette van den Bosch and Boitran Huynb-Beattie --  |t Contending with present pasts: on developing Southeast Asian art histories /  |r Michelle Antoinette --  |t Picturing early 20th century Sino-Japanese art relations in Omura Seigai's 'Shina Rekiyu Dan': an account of making art history in the 1920s /  |r Oliver Krischer --  |t Why realism? From social realism to non-realism in modern Chinese art /  |r Yiyang Shao --  |t Interconnectedness of performance art festivals across and beyond Asia /  |r Silvia Fok Siu Har --  |t Shanghai dream theater: (re)imagining the city, the condition of existence and the new Shanghai surreal /  |r Thomas J. Berghuis --  |g The  |t artist as image decoder: Ni Haifeng's agency between Europe and China /  |r Kitty Zijlmans --  |t Art histories at the crossroads: 'Asian' art in Australia /  |r Francis Maravillas --  |g A  |t kiss to Matisse: strategies for histories of modernism in Central Asia. Uzbekistan in the 1920s, Kazakhstan in the 1980s-1990s /  |r Jane A. Sharp --  |t Constructing transnational identities: Paik Nam June and Lee Ufan /  |r Youngna Kim -- Contemporaneity in art and its history --  |t Introduction /  |r Terry Smith --  |t Writing the history of contemporary Art: a distinction, three propositions and six lines of inquiry /  |r Terry Smith --  |t Historicity and aboriginal Art: how long will it take for aboriginal Art to become modern? /  |r Ian Maclean --  |t Contemporaneity in Inuit art through the 20th and early 21st centuries /  |r Cecile Pelaudeix --  |t Topographies of chance: tracing the 'contemporary' in 1960s France /  |r Jill Carrick --  |t Periodizing contemporary art /  |r Alexander Alberro --  |t Global visions, global contemporaneity: video art in Australia /  |r Daniel Palmer --  |g The  |t Atlas effect: constraint, freedom and the circulation of images /  |r Charles Green --  |t On the 'evental' installations: contemporary Art and politics of presence /  |r Anthony Gardner --  |t New media across the cultures --  |t Introduction /  |r Ross Gibson --  |t Old traces on a new body /  |r Dirk de Bruyn --  |t Transients: indigenous, settler and migrant media /  |r Sean Cubitt --  |t Imagining the future: issues in writing and researching arts histories in a digital age with the DAAO /  |r Vivian Johnson and Joanna Mendelssohn --  |t Painting as a new medium: the reversed canvas in colonial art /  |r Richard Read --  |g The  |t fiction of art history: imaginary providences in media art in South Asia /  |r Shuddhabrata Sengupta --  |t Economies of desire: art collecting and dealing across cultures --  |t Introduction /  |r Christopher R. Marshall --  |g The  |t impact of unscrupulous dealers unsustainability in the Australian aboriginal desert paintings market: a view from the high end /  |r Meaghan Wilson-Anastasios and Neil De Marchi --  |g A  |t fine Romance: white money, black art /  |r Philip Batty --  |g The  |t paradox of collecting the 'other': Percy Grainger's collecting of non-Western cultures /  |r Belinda Nemec --  |t Art dealing as medium of cultural transfer /  |r Michael North --  |t Crossing thresholds: the hybrid identities of late 19th-century art dealers /  |r Christian Huemer --  |t Small mirrors to large empires: towards a theory of meta-museums in contemporary art /  |r Khadija Z Carroll --  |t Framing confusion: varieties of collecting and display at the Museo Poldi Pezzoli, Milan /  |r Christopher R. Marshall --  |g An  |t art collecting in Argentina, or how the pre-Columbian past became an object of desire /  |r Maria Isabel Baldassare --  |t New museums across cultures --  |g Introduction /  |r Jonathan Sweet --  |g The  |t modern museum in China /  |r Zhang Gan --  |g The  |t uncanny space of Daniel Libeskind's Jewish Museum /  |r Julia Walker --  |t New museums: institutionalization of contemporary Art in Central Europe. Crossing inspirations /  |r Katarzyna Jagodzinska --  |t Problematics of postcolonial dislocation in the case of the national Museum of contemporary Art in Bucharest /  |r Cristina Albu --  |t Out of context: towards presentation of Japanese art in western museums /  |r Chiaki Ajioka --  |t Constructing tribal architectures and identities in Native American museums and cultural centers /  |r Anne L. Marshall --  |t Creating cultural citizenship out of contemporary art at the national Museum of the American Indian? /  |r Kyle Message --  |g The  |t cosmopolitan museum (of art) /  |r Milan Kreuzzieger --  |t Repatriation --  |t Introduction /  |r Dario Gamboni --  |t Art history and repatriation: a case of mutual illumination? /  |r Dario Gamboni --  |t Shrewd calculations /  |r Kenneth Lapatin --  |t Repatriating sanctity, or how the Dukes of Bavaria rescued saints during the Reformation /  |r Jeffrey Chipps Smith --  |t Alexander Newman (Bielitz 1861 - Wellington 1947): portfolio in exile /  |r Andrew Leach --  |t Repatriation Anti Patria: repatriating for Tibet /  |r Kavita Singh --  |t Returning Veronese's the wedding at Cana to Venice: some issues concerning originality and repatriation /  |r Adam Lowe --  |t Arbitration and mediation is alternative resolution mechanisms in disputes relating to the restitution of cultural property /  |r Marc-Andre Renold. 
650 0 |a Art  |x History  |v Congresses. 
650 0 |a Art and globalization  |v Congresses. 
650 0 |a Arts and globalization  |v Congresses. 
700 1 |a Anderson, Jaynie.  |0 http://id.loc.gov/authorities/names/n81114794  |1 http://isni.org/isni/0000000062993758. 
710 2 |a Comité international d'histoire de l'art.  |0 http://id.loc.gov/authorities/names/n83154054  |1 http://isni.org/isni/0000000109415796. 
711 2 |a International Congress of the History of Art  |n (32nd :  |d 2008 :  |c Melbourne, Vic.)  |0 http://id.loc.gov/authorities/names/no2014004437 
830 0 |a Miegunyah Press series.  |0 http://id.loc.gov/authorities/names/n89652627 
907 |a .b60694130  |b 03-20-20  |c 08-18-10 
998 |a art  |b 12-09-10  |c a  |d m   |e -  |f eng  |g vra  |h 0  |i 1 
907 |a .b60694130  |b 07-13-16  |c 08-18-10 
944 |a MARS - RDA ENRICHED 
907 |a .b60694130  |b 01-20-11  |c 08-18-10 
907 |a .b60694130  |b 12-10-10  |c 08-18-10 
946 |a jz 
999 f f |i 1c9ad46c-a42e-58dd-9cd7-188bd80a9343  |s 38233000-cf77-5118-8a31-92b42dd0d83a 
952 f f |p Can circulate  |a University of Colorado Boulder  |b Boulder Campus  |c Norlin  |d Norlin Library - Art & Architecture Stacks  |e N72.G55 C76 2008  |h Library of Congress classification  |i book  |m U183050753116  |n 1 

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