The rhetoric of perspective : realism and illusionism in seventeenth-century Dutch still-life painting / Hanneke Grootenboer.
"Comparing realistic still-life paintings to trompe l'oeils, Hanneke Grootenboer shows how deceptive images playfully call attention to the limits of our perception. Challenging our vision, such images invite us to philosophize on the radical yet subtle differences between truth and decept...
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Format: | Book |
Language: | English |
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Chicago :
University of Chicago Press,
2005.
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020 | |a 0226309681 (hbk.) | ||
035 | |a (OCoLC)ocm57576561 | ||
040 | |a UKM |c UKM |d OCLCQ |d C#P |d OrLoB-B | ||
043 | |a e-ne--- | ||
049 | |a CODC | ||
050 | 4 | |a ND1393.N43 |b G76 2005 | |
050 | 4 | |a ND1393.N43 |b G76 2005 | |
100 | 1 | |a Grootenboer, Hanneke. |0 http://id.loc.gov/authorities/names/n2004016455 |1 http://isni.org/isni/0000000035562389. | |
245 | 1 | 4 | |a The rhetoric of perspective : |b realism and illusionism in seventeenth-century Dutch still-life painting / |c Hanneke Grootenboer. |
260 | |a Chicago : |b University of Chicago Press, |c 2005. | ||
300 | |a xiii, 207 pages, 24 unnumbered pages of plates : |b illustrations (chiefly color) ; |c 24 cm. | ||
336 | |a text |b txt |2 rdacontent. | ||
337 | |a unmediated |b n |2 rdamedia. | ||
338 | |a volume |b nc |2 rdacarrier. | ||
504 | |a Includes bibliographical references (pages 189-200) and index. | ||
520 | 1 | |a "Comparing realistic still-life paintings to trompe l'oeils, Hanneke Grootenboer shows how deceptive images playfully call attention to the limits of our perception. Challenging our vision, such images invite us to philosophize on the radical yet subtle differences between truth and deception." "Connecting contemporary critical theory with close readings of seventeenth-century Dutch still-life, trompe l'oeil, and anamorphic imagery, The Rhetoric of Perspective puts forth the claim that painting is a form of thinking and that perspective functions as the language of the image. Aided by a full-color gallery, Grootenboer demonstrates how these deceptive images skillfully articulate the complexities of the visual and, consequently, gain new relevance in the context of recent interest in visual theory."--BOOK JACKET. | |
650 | 0 | |a Still-life painting, Dutch |y 17th century. | |
650 | 0 | |a Visual perception. |0 http://id.loc.gov/authorities/subjects/sh85143926. | |
650 | 0 | |a Realism in art |z Netherlands. | |
907 | |a .b37308841 |b 03-19-20 |c 04-21-05 | ||
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907 | |a .b37308841 |b 11-24-14 |c 04-21-05 | ||
944 | |a MARS - RDA ENRICHED | ||
907 | |a .b37308841 |b 06-25-09 |c 04-21-05 | ||
907 | |a .b37308841 |b 12-30-08 |c 04-21-05 | ||
907 | |a .b37308841 |b 08-26-05 |c 04-21-05 | ||
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952 | f | f | |p Can circulate |a University of Colorado Boulder |b Boulder Campus |c Norlin |d Norlin Library - Art & Architecture Stacks |e ND1393.N43 G76 2005 |h Library of Congress classification |i book |m U183043631701 |n 1 |