Modern German art for thirties Paris, Prague, and London : resistance and acquiescence in a democratic public sphere / Keith Holz.
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| Format: | Book |
| Language: | English |
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Ann Arbor :
University of Michigan Press,
©2004.
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| Series: | Social history, popular culture, and politics in Germany.
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Table of Contents:
- Which German art and artists for Paris?
- Between Gleichschaltung and the freedom of art: German art and its institutions in Czechoslovakia
- The collective of German artists (Paris) and the popular front: death twitch of the historical avant-garde?
- The limited attention to modern German art in London and the absence of a public exile culture
- Exile artists' groups and local cultural institutions respond to Degenerate Art (July 1937-March 1938)
- Exhibiting modern German art in London and Paris: from the Anschluss to the Night of Broken Glass (April-November 1938)
- The end of a public exile culture in Prague and Paris and its marginalization in London: from the Munich agreement to internment (November 1938-June 1940)