Modernism at the beach : queer ecologies and the coastal commons / Hannah Freed-Thall.

At the beach, bodies converge with the elements and strange treasures come to light. Departing from the conventional association of modernism with the city, this book makes a case for the coastal zone as a surprisingly generative setting for twentieth-century literature and art. An unruly and elusiv...

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Bibliographic Details
Main Author: Freed-Thall, Hannah (Author)
Format: Book
Language:English
Published: New York : Columbia University Press, [2023]
Series:Modernist latitudes.
Subjects:

MARC

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245 1 0 |a Modernism at the beach :  |b queer ecologies and the coastal commons /  |c Hannah Freed-Thall. 
264 1 |a New York :  |b Columbia University Press,  |c [2023] 
264 4 |c ©2023 
300 |a ix, 275 pages :  |b illustrations ;  |c 24 cm. 
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490 1 |a Modernist latitudes 
504 |a Includes bibliographical references and index. 
505 0 0 |t Introduction : the beach effect --  |t Constructing the beach --  |t Off-season --  |t Littoral choreographies --  |t Coastal map --  |t Proust's leap --  |t "Gambling fever" --  |t Beach bodies --  |t "Nous avons regardé" --  |t Intertidal Woolf --  |t Waste land --  |t Imagined geographies --  |t Domestic arrangements --  |t Tidal visions --  |t "Mrs. Ramsay on the beach" --  |t Carson's quiet bower --  |t Thinking small --  |t Postal meter --  |t "Wee beasts" --  |t McKay's dream port --  |t Port effects --  |t Vagabond picturesque --  |t Pier effects --  |t Tidewrack, Beckett to Sunde --  |t Drift --  |t Fatigue --  |t "Female solo" --  |t Waiting room. 
520 |a At the beach, bodies converge with the elements and strange treasures come to light. Departing from the conventional association of modernism with the city, this book makes a case for the coastal zone as a surprisingly generative setting for twentieth-century literature and art. An unruly and elusive confluence of human and more-than-human forces, the seashore is also a space of performance--a stage for loosely scripted, improvisatory forms of embodiment and togetherness. The beach, Hannah Freed-Thall argues, was to the modernist imagination what mountains were to Romanticism: a space not merely of anthropogenic conquest but of vital elemental and creaturely connection. With an eye to the peripheries of capitalist leisure, Freed-Thall recasts familiar seaside practices--including tide-pooling, beachcombing, gambling, and sunbathing--as radical experiments in perception and sociability. Close readings of works by Marcel Proust, Virginia Woolf, Claude McKay, Samuel Beckett, Rachel Carson, and Gordon Matta-Clark, among others, explore the modernist beach as a queer refuge, a precarious commons, a scene of collective exhaustion and endurance, and a visionary threshold at the end of the world. Interweaving environmental humanities, queer and feminist theory, and cultural history, Modernism at the Beach offers new ways of understanding twentieth-century literature and its relation to ecological thought. 
650 0 |a Beaches in literature. 
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650 0 |a Literature, Modern  |y 20th century  |x History and criticism. 
650 0 |a Modernism (Literature) 
650 0 |a Queer theory. 
650 0 |a Ecocriticism. 
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650 7 |a Queer theory.  |2 fast  |0 (OCoLC)fst01739572 
650 7 |a Seashore in literature.  |2 fast  |0 (OCoLC)fst01110408 
648 7 |a 1900-1999  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Literary criticism.  |2 fast  |0 (OCoLC)fst01986215 
655 7 |a Literary criticism.  |2 lcgft 
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