Theory and practice in the music of the Islamic world : essays in honour of Owen Wright / edited by Rachel Harris and Martin Stokes.
"This volume of original essays is dedicated to Owen Wright in recognition of his formative contribution to the study of music in the Islamic Middle East. Wright's work, which comprises, at the time of writing, six field-defining volumes and countless articles, has reconfigured the relatio...
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Other Authors: | , , |
Format: | eBook |
Language: | English |
Published: |
Abingdon, Oxon ; New York, NY :
Routledge, Taylor & Francis Group,
2018.
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Series: | SOAS musicology series.
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245 | 0 | 0 | |a Theory and practice in the music of the Islamic world : |b essays in honour of Owen Wright / |c edited by Rachel Harris and Martin Stokes. |
264 | 1 | |a Abingdon, Oxon ; |a New York, NY : |b Routledge, Taylor & Francis Group, |c 2018. | |
264 | 4 | |c ß2018 | |
300 | |a 1 online resource (xxxviii, 321 pages) : |b illustrations. | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
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490 | 1 | |a SOAS musicology Series | |
504 | |a Includes bibliographical references and index. | ||
588 | 0 | |a Print version record. | |
505 | 0 | 0 | |t Part Part I Ottoman legacies -- |t chapter 1 New light on Cantemir / |r ECKHARD NEUBAUER -- |t chapter 2 Towards a new theory of historical change in the Ottoman instrumental repertoire / |r JACOB OLLEY -- |t chapter 3 Not just any usul: semai in pre-nineteenth-century performance practice / |r MEHMET UGUR EKINCI -- |t chapter 4 Itri's 2Nühüft Sakil3 in the context of Sakil pesrevs in the seventeenth century / |r WALTER ZEV FELDMAN -- |t chapter 5 Giambattista Todiferini and the 2Musica Turchesca3 / |r GIOVANNI DE ZORZI -- |t chapter 6 At the House of Kemal: private musical assemblies in Istanbul from the late Ottoman Empire to the Turkish Republic / |r PANAGIOTIS C. POULOS -- |t chapter 7 Kâr-i nev: elongation and elaboration in recordings of a Turkish classic / |r JOHN O'CONNELL -- |t chapter 8 Measuring intervals between European and 2Eastern3 musics in the 1920s: the curious case of the panharmonion or 2Greek organ3 / |r ELENI KALLIMOPOULOU -- |t part Part II Historical and theoretical themes in the music of the Islamic world -- |t chapter 9 2Words without songs3: the social history of Hindustani song collections in India's Muslim courts c.1770-1830 / |r KATHERINE BUTLER SCHOFIELD -- |t chapter 10 The music of the Timurids and its legacy in Afghanistan / |r JOHN BAILY -- |t chapter 11 Theory and practice in contemporary Central Asian maqam traditions: the Uyghur On Ikki Muqam and the Kashmiri Sufyana Musiqi / |r RACHEL HARRIS -- |t chapter 12 The terminology of vocal performance in Iranian Khorasan / |r STEPHEN BLUM -- |t chapter 13 Whispering to God: monajat, a sung prayer in Iranian Khorasan / |r AMENEH YOUSSEFZADEH -- |t chapter 14 Between formal structure and performance practice: on the Baghdadi secular cycles / |r SCHEHERAZADE HASSAN -- |t chapter 15 Al-Farabi's polychord: a re-exposition of Ptolemy's kanon as a didactic instrument for the tone system / |r GEORGE SAWA. |
520 | 2 | |a "This volume of original essays is dedicated to Owen Wright in recognition of his formative contribution to the study of music in the Islamic Middle East. Wright's work, which comprises, at the time of writing, six field-defining volumes and countless articles, has reconfigured the relationship between historical musicology and ethnomusicology. No account of the transformation of these fields in recent years can afford to ignore his work. Ranging across the Middle East, Central Asia and North India, this volume brings together historical, philological and ethnographic approaches. The contributors focus on collections of musical notation and song texts, on commercial and ethnographic recordings, on travellers' reports and descriptions of instruments, on musical institutions and other spaces of musical performance. An introduction provides an overview and critical discussion of Wright's major publications. The central chapters cover the geographical regions and historical periods addressed in Wright's publications, with particular emphasis on Ottoman and Timurid legacies. Others discuss music in Greece, Iraq and Iran. Each explores historical continuities and discontinuities, and the constantly changing relationships between music theory and practice. An edited interview with Owen Wright concludes the book and provides a personal assessment of his scholarship and his approach to the history of the music of the Islamic Middle East. Extending the implications of Wright's own work, this volume argues for an ethnomusicology of the Islamic Middle East in which past and present, text and performance are systematically in dialogue."--Provided by publisher | |
650 | 0 | |a Music |z Islamic countries |x History and criticism. | |
650 | 7 | |a Music. |2 fast | |
651 | 7 | |a Islamic countries. |2 fast | |
655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
700 | 1 | |a Wright, Owen, |e honouree. |0 http://id.loc.gov/authorities/names/n85197520 | |
700 | 1 | |a Harris, Rachel |q (Rachel A.), |e editor. |0 http://id.loc.gov/authorities/names/no2005079818 |1 https://id.oclc.org/worldcat/entity/E39PCjvvQmTt9GRb867F4txp4C |1 http://isni.org/isni/0000000096371420 | |
700 | 1 | |a Stokes, Martin, |e editor. |0 http://id.loc.gov/authorities/names/n91111544 |1 http://isni.org/isni/0000000124354127 | |
758 | |i has work: |a Theory and practice in the music of the Islamic world (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGrYwYDJPwcHdgT3Ddf6Xb |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
776 | 0 | 8 | |i Print version: |z 9781351752169 |
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830 | 0 | |a SOAS musicology series. |0 http://id.loc.gov/authorities/names/no96013042 | |
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