Immanence and immersion : on the acoustic condition in contemporary art / Will Schrimshaw.
"A critique of immersive aesthetics in the arts, with particular emphasis placed upon sound and new media art"--
Saved in:
Online Access: |
Full Text (via Bloomsbury) |
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Main Author: | |
Format: | eBook |
Language: | English |
Published: |
London, England :
Bloomsbury Academic, an imprint of Bloomsbury Publishing, Inc,
2020.
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Subjects: |
MARC
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020 | |a 9781501315886 |q (ebook) | ||
020 | |z 9781501315855 |q (print) | ||
020 | |z 1501315854 |q (hardback) | ||
020 | |z 9781501315879 |q (electronic publication) | ||
020 | |z 9781501315862 |q (print) | ||
024 | 7 | |a 10.5040/9781501315886 | |
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035 | |a (OCoLC)1201426124 | ||
035 | |a (CaBNVSL)mat01315886 | ||
040 | |a DLC |b eng |e rda |c CaBNVSL |d CaBNVSL | ||
050 | 4 | |a NX650.S68 |b S37 2017eb | |
100 | 1 | |a Schrimshaw, Will, |e author. | |
245 | 1 | 0 | |a Immanence and immersion : |b on the acoustic condition in contemporary art / |c Will Schrimshaw. |
264 | 1 | |a London, England : |b Bloomsbury Academic, an imprint of Bloomsbury Publishing, Inc, |c 2020. | |
264 | 2 | |a London, England : |b Bloomsbury Publishing, |c 2020. | |
300 | |a 1 online resource (vi, 204 pages) : |b illustrations. | ||
336 | |a text |b txt |2 rdacontent. | ||
337 | |a computer |b c |2 rdamedia. | ||
338 | |a online resource |b cr |2 rdacarrier. | ||
504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a Decentralization -- Infraesthetics -- Writing out sound -- Immersive phenomenology -- Sonic materialism -- The scientific image -- Repurposing conceptualism -- The stratification of immanence. | |
506 | |a Abstract freely available; full-text restricted to individual document purchasers. | ||
520 | |a "A critique of immersive aesthetics in the arts, with particular emphasis placed upon sound and new media art"-- |c Provided by publisher. | ||
532 | 0 | |a Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily. | |
538 | |a Mode of access: World Wide Web. | ||
650 | 0 | |a Sound in art. | |
650 | 0 | |a Arts, Modern |y 20th century |x Philosophy. | |
650 | 0 | |a Arts, Modern |y 21st century |x Philosophy. | |
650 | 0 | |a Immanence (Philosophy) | |
650 | 7 | |a Theory of music & musicology |2 bicssc. | |
655 | 0 | |a Electronic books. | |
776 | 0 | 8 | |i Print version: |w (DLC) 2017013554 |w (OCoLC)958781809 |z 1. |
856 | 4 | 0 | |u https://colorado.idm.oclc.org/login?url=https://doi.org/10.5040/9781501315886?locatt=label:secondary_bloomsburyMusicandSound |z Full Text (via Bloomsbury) |
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956 | |a Bloomsbury Sound Studies | ||
956 | |a Bloomsbury Music and Sound | ||
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952 | f | f | |p Can circulate |a University of Colorado Boulder |b Online |c Online |d Online |e NX650.S68 S37 2017eb |h Library of Congress classification |i web |n 1 |