|
|
|
|
| LEADER |
00000cam a2200000Mi 4500 |
| 001 |
b12316813 |
| 003 |
CoU |
| 005 |
20220624053332.0 |
| 006 |
m o d |
| 007 |
cr ||||||||||| |
| 008 |
160917s2016 nyu o 000 0 eng d |
| 020 |
|
|
|a 9780292772472
|
| 020 |
|
|
|a 0292772475
|
| 035 |
|
|
|a (OCoLC)ebqup958387567
|
| 035 |
|
|
|a (OCoLC)958387567
|
| 037 |
|
|
|a ebqup4322384
|
| 040 |
|
|
|a EBLCP
|b eng
|e pn
|c EBLCP
|d CN3GA
|d OCLCO
|d OCLCF
|d OCLCQ
|d OCLCO
|d IDB
|d MERUC
|d OCLCQ
|d OCLCO
|d AU@
|d OCLCQ
|d OCLCO
|d OCLCQ
|d OCLCO
|
| 043 |
|
|
|a n-us---
|
| 049 |
|
|
|a GWRE
|
| 050 |
|
4 |
|a NC146.R36E87 2015
|
| 100 |
1 |
|
|a Jenkins, Tricia.
|
| 245 |
1 |
4 |
|a The CIA in Hollywood :
|b How the Agency Shapes Film and Television.
|
| 250 |
|
|
|a Revised and Updated edition.
|
| 260 |
|
|
|a New York :
|b University of Texas Press,
|c 2016.
|
| 300 |
|
|
|a 1 online resource (231 pages)
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent.
|
| 337 |
|
|
|a computer
|b c
|2 rdamedia.
|
| 338 |
|
|
|a online resource
|b cr
|2 rdacarrier.
|
| 505 |
0 |
|
|a Introduction -- Rogues, assassins, and buffoons : representations of the CIA in film and television -- Opening the doors : why and how the CIA works with Hollywood -- Necessary and competent : the CIA in the agency and in the company of spies -- The chase Brandon years -- The legal and ethical implications of the CIA in Hollywood -- The last people we want in Hollywood : the retired CIA officer and the Hollywood docudrama -- Argo's Tony Mendez : the first retiree the CIA wants in Hollywood -- Relaxing the rules : Zero Dark Thirty, Homeland, and the move toward Nuance -- Conclusion.
|
| 588 |
0 |
|
|a Print version record.
|
| 610 |
1 |
0 |
|a United States.
|b Central Intelligence Agency
|x In motion pictures.
|
| 610 |
1 |
0 |
|a United States.
|b Central Intelligence Agency
|x Influence.
|
| 650 |
|
0 |
|a Spy films
|z United States
|x History and criticism.
|
| 650 |
|
0 |
|a Espionage in motion pictures.
|
| 650 |
|
0 |
|a Motion pictures
|x Political aspects
|z United States.
|
| 650 |
|
0 |
|a Motion picture industry
|z United States.
|
| 650 |
|
0 |
|a Spy television programs
|z United States
|x History and criticism.
|
| 610 |
1 |
7 |
|a United States.
|b Central Intelligence Agency.
|2 fast
|0 (OCoLC)fst00536259.
|
| 650 |
|
7 |
|a Espionage in motion pictures.
|2 fast
|0 (OCoLC)fst01903150.
|
| 650 |
|
7 |
|a Influence (Literary, artistic, etc.)
|2 fast
|0 (OCoLC)fst00972484.
|
| 650 |
|
7 |
|a Motion picture industry.
|2 fast
|0 (OCoLC)fst01027150.
|
| 650 |
|
7 |
|a Motion pictures.
|2 fast
|0 (OCoLC)fst01027285.
|
| 650 |
|
7 |
|a Motion pictures
|x Political aspects.
|2 fast
|0 (OCoLC)fst01027353.
|
| 650 |
|
7 |
|a Spy films.
|2 fast
|0 (OCoLC)fst01131033.
|
| 650 |
|
7 |
|a Spy television programs.
|2 fast
|0 (OCoLC)fst01131055.
|
| 651 |
|
7 |
|a United States.
|2 fast
|0 (OCoLC)fst01204155.
|
| 655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635.
|
| 776 |
0 |
8 |
|i Print version:
|a Jenkins, Tricia.
|t CIA in Hollywood : How the Agency Shapes Film and Television.
|d New York : University of Texas Press, ©2016
|z 9780292772465.
|
| 856 |
4 |
0 |
|u https://ebookcentral.proquest.com/lib/ucb/detail.action?docID=4322384
|z Full Text (via ProQuest)
|
| 907 |
|
|
|a .b123168132
|b 07-07-22
|c 07-07-22
|
| 998 |
|
|
|a web
|b - -
|c f
|d b
|e z
|f eng
|g nyu
|h 4
|i 1
|
| 915 |
|
|
|a M
|
| 956 |
|
|
|a Ebook Central University Press
|
| 956 |
|
|
|b Ebook Central University Press Subscription
|
| 999 |
f |
f |
|i 05063a0a-90fd-5199-8498-1f8ac706cac4
|s dedcda41-9786-5542-90e9-9f349e2a0b44
|
| 952 |
f |
f |
|p Can circulate
|a University of Colorado Boulder
|b Online
|c Online
|d Online
|e NC146.R36E87 2015
|h Library of Congress classification
|i web
|n 1
|
