Gold was the mortar : the economics of cathedral building / Henry Kraus.

Originally published in 1979, Gold Was the Mortar details the financing and the building of the medieval cathedrals at Paris, Amiens, Toulouse, Lyon, Strasbourg, York, Poitiers and Rouen. The book examines the raising of funds and their expenditure, not only on the Cathedrals themselves, but also on...

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Bibliographic Details
Online Access: Full Text (via Taylor & Francis)
Main Author: Kraus, Henry, 1905- (Author)
Format: eBook
Language:English
Published: London ; Boston : Routledge & Kegan Paul, 1979.
Subjects:

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245 1 0 |a Gold was the mortar :  |b the economics of cathedral building /  |c Henry Kraus. 
264 1 |a London ;  |a Boston :  |b Routledge & Kegan Paul,  |c 1979. 
300 |a 1 online resource (xv, 292 pages) :  |b illustrations. 
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504 |a Includes bibliographical references and index. 
505 0 |a Paris: the golden legend -- Amiens: cathedral and commune -- Toulouse: orphan cathedral -- Lyon: the bridge to France -- Strasbourg: the burgher-builders -- York: pride, greed and charity -- Poitiers: old style versus nwe -- Rouen: the wages of submission. 
520 |a Originally published in 1979, Gold Was the Mortar details the financing and the building of the medieval cathedrals at Paris, Amiens, Toulouse, Lyon, Strasbourg, York, Poitiers and Rouen. The book examines the raising of funds and their expenditure, not only on the Cathedrals themselves, but also on the worldly ambitions of the bishop or archbishop, which went beyond the wars and natural disasters' theory to explain the reasons that caused the delays in building the cathedrals. The book also looks at the issues of building the cathedrals, such as the availability of finance and how for some there was a steady flow of funds while others suffered prolonged breaks. The book also provides case studies of specific cathedrals and examines how places such as York were held up by the internecine disputes with Canterbury; Toulouse and Poiters by the vast expropriations following conquests; and Lyon by the suppression of the commercial and social hierarchy. All the cathedrals depended on the benevolence of patrons, but the part played by the commoners, as revealed in wills and contemporary documents, was an extraordinary contribution, usually exceeding that of the nobility and royalty and sometimes that of the hierarchy itself. 
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