Indie film producing : the craft of low budget filmmaking / Suzanne Lyons.
Explains the role of the independent film producer, and outlines the process of making a low budget film from the earliest stages of concept development through production and post-production, concluding with distribution.
Saved in:
| Online Access: |
Full Text (via Taylor & Francis) |
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| Main Author: | |
| Format: | eBook |
| Language: | English |
| Published: |
Amsterdam ; Boston :
Elsevier/Focal Press,
©2012.
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| Subjects: |
MARC
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| 050 | 4 | |a PN1995.9.P7 |b L96 2012 | |
| 100 | 1 | |a Lyons, Suzanne. | |
| 245 | 1 | 0 | |a Indie film producing : |b the craft of low budget filmmaking / |c Suzanne Lyons. |
| 260 | |a Amsterdam ; |a Boston : |b Elsevier/Focal Press, |c ©2012. | ||
| 300 | |a 1 online resource (xvi, 243 pages) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent. | ||
| 337 | |a computer |b c |2 rdamedia. | ||
| 338 | |a online resource |b cr |2 rdacarrier. | ||
| 500 | |a Includes index. | ||
| 505 | 0 | |a Machine generated contents note: ch. 1 Getting Ready to Produce -- The Time Was Right -- The Landscape is Changing -- A Step-By-Step Approach -- Wearing Two Hats: Business and Creative -- The Business of Film Producing -- ch. 2 Timeline for Seance -- Timeline for the Film, Seance -- September/October 2005: Optioned Screenplay -- November/December 2005: Business Plan and PPM -- January 2006: Opened an LLC -- January/February/March: Funding the Film -- March: Finalized Details -- April: Soft Prep -- Four Weeks -- April: Casting -- May 1: Preproduction Begins -- Three Weeks -- May 21: Principal Photography -- Two Weeks -- June 5-September 29: Postproduction -- October: Prepared for Market -- November 1-8: Attended the American Film Market -- November 9-December 15: Delivery -- ch. 3 The Script: Option and Development -- Time to do the Paperwork -- Research and Read Option Agreements -- What's Needed in an Option/Purchase Agreement -- Option Period -- Payment and Back End. | |
| 505 | 0 | |a Note continued: Deferments -- Certificate of Authorship and Short-Form Assignment -- Script Development -- Table Read -- Director's Notes -- ch. 4 Creating Your Business Plan -- K.I.S.S. -- Table of Contents -- Quotation -- Investor Proposal -- Why $7,500? Here are Four Good Reasons -- Let's Start with Delivery -- Operating Costs -- Executive Producer Fee -- Budget -- Extra Bonus -- Risk -- Project Objective -- The Marketplace -- Film Comparisons -- Company Summary and Team -- Synopsis -- Revenue Scenario -- Newspaper Articles -- Section -- Mission Statement -- Your One-Sheet Poster -- PPM/Operating Agreement/Subscription Agreement -- ch. 5 Setting Up Your LLC and Opening Your Bank Account -- Opening Your LLC: You Can Do It! -- Where Do I Open My LLC? -- Wait Until You're Ready -- Step # 1 Clear The Name -- Step # 2 Articles of Organization -- Step # 3 Getting Your EIN Number -- Certificates and Seal -- Opening Your Bank Account. | |
| 505 | 0 | |a Note continued: Wait Until You're Ready to Open Your Account -- Open two Accounts -- What Type of Checkbook Should You Order? -- Making Deposits: Details -- Get Your Visa or Mastercard Now -- The Checks and Visa Are in Your Name Only! -- Check Request Form -- Payroll Company or Not? -- ch. 6 Sales Presentation and Finding Investors -- Preparation -- Outline -- Booking the Venue -- Getting the Word Out -- Logistics -- Setting up the Room -- Your Assistants Represent Your Company -- It's Showtime: Welcome Everyone -- Purpose of the Evening -- Outline for the Evening -- It's Your Time to Shine: Have Fun! -- Introduce Yourself -- Your Company Introduction -- Launching Windchill Films: Why this Film? Why This Budget? -- The Director's Vision -- Introduce Your Team -- Your Offering -- What's in It for Me, The Investor? -- Question and Answer Session -- Wrap-Up -- Mock Sales Presentation -- A Promise Is Not a Check -- Additional Perks -- Tips to Getting Investors. | |
| 505 | 0 | |a Note continued: Be Prepared -- Be Innovative -- Let's Get Visual -- ch. 7 Soft Prep -- What Is Soft Prep? -- Get Sag Signatory Number -- Table Read -- Location Scouting -- List Your Film in the Trades -- Inform Your Investors -- ch. 8 The Casting Process -- pt. 1 Preparation -- Casting Director -- Or Not -- Guild Actors -- Or Not -- Guild Deposit -- Breakdown Services -- Plan Casting Process With Your Director -- pt. 2 Scheduling -- Scheduling Auditions -- How to Schedule -- How Much Time to Allow for Auditions -- Book Your Readers -- Choosing the Sides -- Typed Sign-In Sheets -- pt. 3 Auditions and Callbacks -- Auditions -- Lunch Break and Atmosphere -- Scheduling Callbacks -- Callbacks -- Chemistry Callbacks -- Final Decisions -- pt. 4 Deal Memos -- Extras -- ch. 9 Preproduction -- Producer versus Line Producer -- Producer's Focus -- Line Producer's Focus -- A Look at the Producer's Job -- The Making-of Producer and Stills Photographer. | |
| 505 | 0 | |a Note continued: Still Photography and Making-of Cast Schedule -- Proposed Questions for Cast for the Making-of Feature -- Your Editor -- Your Director of Photography -- Your Director -- Table Read With Your Keys -- Cast Table Read and Wardrobe Fitting -- Product Placement -- Update Investors -- Keep the Actors and their Agents Informed -- ch. 10 Principal Photography -- Now the Fun begins -- Know How to Read Your Call Sheets, Day Out of Days, and Shooting Schedule -- Shooting Schedule -- Dailies -- Video Village -- Know Your Script -- Your Editor -- Staying on Time: Your 1 st AD -- Writing Checks -- Stills and Press Release -- Treats -- Putting out Fires -- Planning Your Wrap Party -- Going the Extra Mile -- Children and Animals -- Investors -- Interviews for Postproduction Positions -- Acknowledgment -- ch. 11 Wrap-Up and Postproduction -- Wrap Party -- Line Producer's Wrap-Up -- Editor's Assembly -- Copyright Transfer -- Film Website. | |
| 505 | 0 | |a Note continued: Hiring for Postproduction Positions -- Director's Cut -- Audience Testing -- Pick-Up Day -- Lock Picture -- Sales Agents and First Round of Festivals -- Music Score, Sound Designing, Color Correction, Spotting, and ADR -- Additional Songs -- Front-Roll Credits (Main Titles) -- End-Roll Credits -- Making Of -- Investors -- ch. 12 Delivery and Sales Agents -- Put The Horse Before The Cart -- Mistakes can be Expensive -- The Cost of Delivery -- Items to Watch For -- Sales Agent Or Not? -- The Tables are Turning -- Problems With the Old Model -- Buy-Outs -- Changes are Happening -- Your Deal with a Sales Agent: Do Your Researchl -- Expenses -- Commission -- Get a Copy of Each Territory Deal -- Keep the Number of Years Low and Get Back-End Deals -- Money Goes Into Your Bank Account -- Have Them Check With You if the Amount Is Below the Estimate -- Which Territory Sold? -- Do They Have an E & O Umbrella? -- Get a Box Of Dvds. | |
| 505 | 0 | |a Note continued: If They are Doing Your Domestic Sale, be at That Meeting -- Exit Clause -- ch. 13 Distribution Alternatives and Film Exposure: Guest Interviews -- ch. 14 You've Delivered ... Now What? -- A Whole New World -- Festivals -- Communicate With Your Sales Agent -- Attending Markets -- Promoting Your Domestic Sale -- Inform Investors Along The Way -- Sag Residuals -- Accounting and Taxes -- Closing Your LLC -- Final Notes -- Be Sure To Get A Mentor (Or Two) -- Surround Yourself With Winners -- Keep Your Eye On The Prize. | |
| 520 | |a Explains the role of the independent film producer, and outlines the process of making a low budget film from the earliest stages of concept development through production and post-production, concluding with distribution. | ||
| 588 | 0 | |a Print version record. | |
| 650 | 0 | |a Independent films |x Production and direction. | |
| 650 | 0 | |a Low budget films |x Production and direction. | |
| 650 | 0 | |a Independent films. | |
| 650 | 0 | |a Motion picture authorship. | |
| 650 | 7 | |a Independent films. |2 fast |0 (OCoLC)fst01738681. | |
| 650 | 7 | |a Independent films |x Production and direction. |2 fast |0 (OCoLC)fst01982439. | |
| 650 | 7 | |a Motion picture authorship. |2 fast |0 (OCoLC)fst01027122. | |
| 776 | 0 | 8 | |i Print version: |a Lyons, Suzanne. |t Indie film producing. |d Amsterdam ; Boston : Elsevier/Focal Press, ©2012 |w (DLC) 2012405600. |
| 856 | 4 | 0 | |u https://colorado.idm.oclc.org/login?url=https://www.taylorfrancis.com/books/9780240817644 |z Full Text (via Taylor & Francis) |
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| 952 | f | f | |p Can circulate |a University of Colorado Boulder |b Online |c Online |d Online |e PN1995.9.P7 L96 2012 |h Library of Congress classification |i web |n 1 |