Handel / edited by David Vickers, Royal Northern College of Music, Manchester, UK.
"This anthology represents scholarly literature devoted to Handel over the last few decades, and contains different kinds of studies of the composer's biography, operatic career, singers, librettists, and his relationship with the music of other composers. Case studies range from recent re...
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Full Text (via Taylor & Francis) |
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| Format: | eBook |
| Language: | English |
| Published: |
Abingdon, Oxon ; New York :
Routledge,
2016.
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| Series: | Baroque composers.
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| Subjects: |
MARC
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| 245 | 0 | 0 | |a Handel / |c edited by David Vickers, Royal Northern College of Music, Manchester, UK. |
| 264 | 1 | |a Abingdon, Oxon ; |a New York : |b Routledge, |c 2016. | |
| 300 | |a 1 online resource. | ||
| 336 | |a text |b txt |2 rdacontent. | ||
| 337 | |a computer |b c |2 rdamedia. | ||
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| 490 | 1 | |a The Baroque composers. | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Part Part I Biographical Aspects -- chapter 1 Charles Cudworth (1972), 'Mythistorica Handeliana' in Nils Schiorring, Henrik Glahn and Carsten E. Hatting (eds), Festskrift Jens Peter Larsen, Copenhagen: Wilhelm Hansen Musik-Forlag, ppages 16-66. -- chapter 2 Ursula Kirkendale (2007), 'Organ Playing in the Lateran and Other Remembrances on Handel: A Report in the Voiage Historique of 1737', in Warren and Ursula Kirkendale, Music and Meaning: Studies in Music History and the Neighbouring Disciplines, Florence: Leo S. Olschki, ppages 351-60. -- chapter 3 Thomas McGeary (2006), 'Handel and the Feuding Royals', Handel Institute Newsletter, 17, ppages 5-8. -- chapter 4 Alison Meyric Hughes and Martin Royalton-Kisch (1997), 'Handel's Art Collection', Apollo, 146, ppages 17-23. -- chapter 5 Ellen T. Harris (2008), 'Joseph Goupy and George Frideric Handel: From Professional Triumphs to Personal Estrangement', Huntington Library Quarterly, 71, ppages 397-452. -- chapter 6 David Hunter (2008), 'Handel's Ill Health: Documents and Diagnoses', Royal Musical Association Research Chronicle, 41, ppages 69-92. -- part Part II Handel and the Opera House -- chapter 7 Mark W. Stahura (1998), 'Handel's Haymarket Theater', in Mark A. Radice (ed.), Opera in Context: Essays on Historical Staging from the Late Renaissance to the Time of Puccini, Portland, OR: Amadeus Press, ppages 95-109. -- chapter 8 Judith Milhous and Robert D. Hume (1978), 'Box Office Reports for Five Operas Mounted by Handel in London, 1732-1734', Harvard Library Bulletin, 26, ppages 245-66. -- chapter 9 Donald Burrows (2004), 'Handel's 1736 Performances of Ariodante', in Patrizia Radicchi and Michael Burden (eds), Florilegium Musicae: Studi in onore di Carolyn Gianturco, Pisa: Edizioni ETS, ppages 429-46. -- part Part III Case Studies of Handel's Compositions -- chapter 10 Huub van der Linden (2004), 'Benedetto Pamphilj as Librettist: Mary Magdalene and the Harmony of the Spheres in Handel's Il trionfo del Tempo e del Disinganno', Recercare, 16, ppages 133-61. -- chapter 11 Ruth Smith (2008), 'Psychological Realism in Il trionfo del Tempo e del Disinganno', Handel Jahrbuch, 54, ppages 219-28. -- chapter 12 Terence Best (2006), 'A Newly Discovered Water Music Source', Handel Jahrbuch, 52, ppages 225-34. -- chapter 13 Graham Cummings (2005), 'Handel and the Confus'd Shepherdess: A Case Study of Stylistic Eclecticism', Early Music, 33, ppages 575-89. -- chapter 14 Anthony Hicks (1987), 'Handel, Jennens and Saul: Aspects of a Collaboration', in Nigel Fortune (ed.), Music and Theatre: Essays in Honour of Winton Dean, Cambridge: Cambridge University Press, ppages 203-27. -- chapter 15 Donald Burrows (2005), 'From Milton to Handel: The Transformation of Milton's L'Allegro and Il Penseroso into a Musical Work for Concert Performance in the London Theatres', in Claire Bardelmann and Pierre Degott (eds), Musique et theatralite dans les iles Britanniques, Metz: Centre d'etude des textes et traductions, Universite Paul Verlaine, ppages 73-89. -- chapter 16 Graydon Beeks (2005), 'Some Thoughts on Musical Organization in L'Allegro, il Penseroso ed il Moderato', Handel Jahrbuch, 51, ppages 211-22. -- part Part IV Handel's Performers -- chapter 17 Elisabetta Avanzati (2006), 'The unpublished Senesino', Handel and the Castrati [exhibition catalogue], London: Handel House Museum, ppages 5-9. -- chapter 18 Melania Bucciarelli (2008), 'From Rinaldo to Orlando, or Senesino's Path to Madness', in Damien Colas and Alessandro di Profio (eds), D'une scene a l'autre. L'opera italien en Europe (Volume 1 : Les peregrinations d'un genre), Liege: Mardaga, ppages 135-55. -- chapter 19 Suzana Ograjensek (2008), 'Francesca Cuzzoni and Faustina Bordoni: The Rival Queens?', Handel and the Divas [exhibition catalogue], London: Handel House Museum, ppages 3-7. -- chapter 20 Sarah McCleave (1995), 'Marie Salle as Muse: Handel's Music for Mime', The Consort, 51, ppages 13-23. -- chapter 21 Neil Jenkins (2008), 'John Beard: The Tenor Voice That Inspired Handel', Gottinger Handel-Beitrage, 12, Gottingen: Vandenhoeck & Ruprecht, ppages 197-216. -- part Part V Librettists -- chapter 22 Winton Dean (1995), 'Handel's Relations with the Librettists of his Operas', in Klaus Hortschansky and Konstanze Musketa (eds), Georg Friedrich Handel -Ein Lebensinhalt: Gedenkschrift fur Bernd Baselt (1934-1993), Kassel and Halle: Barenreiter/Handel-Haus Halle, ppages 99-111. -- chapter 23 Ruth Smith (1989), 'The Achievements of Charles Jennens (1700-1773)', Music & Letters, 70, ppages 161-90. -- chapter 24 William D. Gudger (2000), 'George Frideric Handel's 1749 Letter to Charles Jennens', in Jon Newsom and Alfred Mann (eds), Music History from Primary Sources: A Guide to the Moldenhauer Archives, Washington D.C.: Library of Congress, ppages 228-38. -- chapter 25 Ruth Smith (2002), 'Thomas Morell and his Letter about Handel', Journal of the Royal Musical Association, 127, ppages 191-225. -- part Part VI Handel and other Composers -- chapter 26 Hans Joachim Marx (2009), 'Handel's Years as an Apprentice to Reinhard Keiser at the Gansemarkt Opera House (1703-1705)', in Richard G. King (ed.), Handel Studies: A Gedenkschrift for Howard Serwer, Hillsdale, NY: Pendragon Press, ppages 25-15. -- chapter 27 Winton Dean (1987), 'Handel and Alessandro Scarlatti', in Nino Pirrotta and Agostino Ziino (eds), Handel e gli Scarlatti a Roma. Atti del convegno internazionale di studi (Roma, 12-14 guigno 1985), Florence: Leo S. Olschki, ppages 1-14. -- chapter 28 John H. Roberts (2003), 'Handel and the Shepherds of Ansbach', in D. Rosen and C. Brook (eds), Words on Music: Essays in Honor of Andrew Porter on the Occasion of his 75th Birthday, Hillsdale, NY: Pendragon Press, ppages 230-55. -- chapter 29 Colin Timms (2002), 'What Did Handel Learn from Steffani's Operas?', Gottinger Handel-Beitrage, 9, ppages 55-72. -- part Part VII Performing Handel -- chapter 30 Donald Burrows (2009), 'Who Does What, When? On the Instrumentation of the Basso Continuo and the Use of the Organ in Handel's English Oratorios', in Richard G. King (ed.), Handel Studies: A Gedenkschrift for Howard Serwer, Hillsdale, NY: Pendragon Press, ppages 107-26. -- chapter 31 Andrew V. Jones (2006), 'Staging a Handel Opera', Early Music, 34, ppages 277-87. | |
| 520 | 2 | |a "This anthology represents scholarly literature devoted to Handel over the last few decades, and contains different kinds of studies of the composer's biography, operatic career, singers, librettists, and his relationship with the music of other composers. Case studies range from recent research that transforms our knowledge of large-scale English works to an interdisciplinary exploration of an individual opera aria. Designed to bring easy and convenient access to students, performers and music lovers, the wide-ranging articles are selected by David Vickers (co-editor of the recent Cambridge Handel Encyclopedia) from diverse sources - not only familiar important journals, but also specialist yearbooks, festschrifts, not easily accessible newsletters, conference proceedings and exhibition catalogues. Many of these represent an up-to-date understanding of modern Handel studies, deal with fascinating biographical issues (such as the composer's art collection, his chronic health problems, and the nature of popular anecdotal evidence), and fill gaps in the mainstream Handelian literature."--Provided by publisher. | |
| 588 | 0 | |a Vendor-supplied metadata. | |
| 600 | 1 | 0 | |a Handel, George Frideric, |d 1685-1759 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Handel, George Frideric, |d 1685-1759. |2 fast |0 (OCoLC)fst00045463. |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635. | |
| 700 | 1 | |a Vickers, David, |d 1975- |e editor. |0 http://id.loc.gov/authorities/names/n2009053693 |1 http://isni.org/isni/0000000435252849. | |
| 776 | 0 | 8 | |i Print version: |t Handel. |d Abingdon, Oxon ; New York : Routledge, 2016 |z 9780754628859 |z 075462885X |w (OCoLC)664324747. |
| 830 | 0 | |a Baroque composers. |0 http://id.loc.gov/authorities/names/no2011032045. | |
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