Hollywood theory, non-Hollywood practice : cinema soundtracks in the 1980s and 1990s /

Hollywood theory, non-Hollywood practice : cinema soundtracks in the 1980s and 1990s / Annette Davison (University of Leeds, UK)

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"Relatively little has been written about film scores and soundtracks outside of Hollywood cinema. Hollywood Theory, Non-Hollywood Practice addresses this gap by looking at the practices of film soundtrack composition for non-Hollywood films made after 1980. Annette Davison argues that since th...

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Bibliographic Details
Online Access: Full Text (via Taylor & Francis)
Main Author: Davison, Annette, 1971- (Author)
Format: eBook
Language:English
Published: Milton Park, Abingdon, Oxon : Routledge, an imprint of the Taylor & Francis Group, [2017]
Series:Ashgate popular and folk music series.
Subjects:
Motion picture music > Analysis, appreciation.
Motion picture music > History and criticism.
Motion picture music.
Criticism, interpretation, etc.
Table of Contents:
  • Classical Hollywood cinema and scoring
  • New Hollywood cinema and 'post-'? classical scoring
  • Alternatives to classical Hollywood scoring
  • 'What is the role of the quartet?': the soundtrack to Jean-Luc Godard's Prénom: Carmen
  • Playing in Jarman's Garden: sound, performance and images of persecution
  • Music to desire by: the soundtrack to Wim Wenders's Der Himmel über Berlin
  • 'People call me a director, but I really think of myself as a sound-man': David Lynch's Wild at heart.

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