Aspects of the secular cantata in late Baroque Italy [electronic resource] / edited by Michael Talbot.
"As shown by the ever-increasing volume of recordings, editions and performances of the vast repertory of secular cantatas for solo voice produced, primarily in Italy, in the second half of the seventeenth century and the first half of the eighteenth century, this long neglected genre has at la...
Saved in:
| Online Access: |
Full Text (via Taylor & Francis) |
|---|---|
| Other Authors: | |
| Format: | Electronic eBook |
| Language: | English |
| Published: |
London :
Routledge,
2016.
|
| Subjects: |
Table of Contents:
- Chapter 1 The When and How of Arioso in Stradella's Cantatas / Carolyn Gianturco
- chapter 2 A Lost Volume of Cantatas and Serenatas from the 'Original Stradella Collection'
- chapter 3 Narration, Mimesis and the Question of Genre: Dramatic Approaches in Giovanni Legrenzi's Solo Cantatas, Oppages 12 and 14
- chapter 4 A Tale of Two Cities: Cantata Publication in Bologna and Venice, c.1650 -1700
- chapter 5 'Al tavolino medesimo del Compositor della Musica': Notes on Text and Context in Alessandro Scarlatti's cantate da camera
- chapter 6 Bononcini's 'agreable and easie style, and those fine inventions in his basses (to which he was led by an instrument upon which he excells)'
- chapter 7 The 'Humble' and 'Sublime' Genres, the Pastoral and Heroic Styles: Rhetorical Metamorphoses in Benedetto Marcello's Cantatas
- chapter 8 Investigations into the Cantata in Naples During the First Half of the Eighteenth Century: The Cantatas by Leonardo Vinci Contained in a 'Neapolitan' Manuscript
- chapter 9 The Orchestral French Cantata (1706-30): Performance, Edition and Classification of a Neglected Repertory
- chapter 10 Patterns and Strategies of Modulation in Cantata Recitatives / Michael Talbot
- chapter 11 'Imitando l'Arietta, o altro allegro, cantato di fresco': Keyboard Realization in Italian Continuo Arias
- chapter 12 The Revival of the Italian Chamber Cantata on Disc: Models and Trends.