Taiwan cinema : international reception and social change / edited by Kuei-fen Chiu, Ming-yeh T. Rawnsley and Gary D. Rawnsley.

The book examines recent developments in Taiwan cinema, with partiuclar focus on a leading contemporary Taiwan filmmaker, Wei Te-sheng, who is responsible for such Asian blockbusters as Cape No. 7, Warriors of the Rainbow: Seediq Bale and Kano. The book discusses key issues, including: why (until ab...

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Bibliographic Details
Online Access: Full Text (via Taylor & Francis)
Other Authors: Chiu, Kuei-fen (Editor), Rawnsley, Ming-Yeh T. (Editor), Rawnsley, Gary D. (Editor)
Format: eBook
Language:English
Published: London : Routledge, 2017.
Series:Media, culture, and social change in Asia series.
Subjects:

MARC

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245 0 0 |a Taiwan cinema :  |b international reception and social change /  |c edited by Kuei-fen Chiu, Ming-yeh T. Rawnsley and Gary D. Rawnsley. 
264 1 |a London :  |b Routledge,  |c 2017. 
264 4 |c ©2017. 
300 |a 1 online resource :  |b illustrations. 
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490 1 |a Media, culture and social change in Asia series. 
504 |a Includes bibliographical references and index. 
505 0 |a From Taiwan New Cinema to Post-New Cinema: An Introduction / Kuei-fen Chiu, Ming-yeh T. Rawnsley & Gary D. Rawnsley -- International Reception and Taiwan Cinema. Taiwan Cinema across the Globe: A Brazilian Perspective / Cecilia Mello -- Variables of Transnational Authorship: Hou Hsiao-hsien and Wei Te-sheng / Valentina Vitali -- Taiwan Cinema at the Venice Film Festival: From Cultural Discovery to Cultural Diplomacy / Elena Pollacchi -- Contesting the National, Labelling the Renaissance: Exhibiting Taiwan Cinema at Film Festivals in Japan since the 1980s / Ran Ma -- Programming Taiwan Cinema: A View from the International Film Festival Circuit / Brian Hu -- Interventions on Cultural Margins: The Case of the Chinese Film Forum UK and the Presence of Taiwan Cinema in the UK / Felicia Chan & Andy Willis -- Taiwan Cinema and Social Change. Becoming a Nation: The Shaping of Taiwan's Native Consciousness in Wei Te-sheng's Post-Millennium Films / Chialan Sharon Wang -- Imagine There's No China: Wei Te-sheng and Taiwan's '"Japan Complex" / Chris Berry -- Kano and Taiwanese Baseball: Playing with Transregionality and Postcoloniality / Ping-hui Liao -- Seediq Bale as History / Robert A. Rosenstone -- Violence and Indigenous Visual History: Interventional Historiography in Seediq Bale and Wushe, Chuanzhong Island / Kuei-fen Chiu -- Archiving an Historical Incident: The Making of Seediq Bale as a Socio-Political Event / Yu-lin Lee -- Mona Rudao's Scar: Two Kinds of Epic Identity in Seediq Bale / Darryl Sterk -- Interview and Supplement. A Conversation with Taiwanese Filmmaker Wei Te-sheng / Ming-yeh T. Rawnsley. 
520 8 |a The book examines recent developments in Taiwan cinema, with partiuclar focus on a leading contemporary Taiwan filmmaker, Wei Te-sheng, who is responsible for such Asian blockbusters as Cape No. 7, Warriors of the Rainbow: Seediq Bale and Kano. The book discusses key issues, including: why (until about 2008) Taiwan cinema underwent a decline, and how cinema is portraying current social changes in Taiwan, including changing youth culture and how it represents indigenous people in the historical narrative of Taiwan. The book also explores the reasons why current Taiwan cinema is receiving a much less enthusiastic response globally compared to its reception in previous decades. 
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700 1 |a Rawnsley, Ming-Yeh T.,  |e editor.  |0 http://id.loc.gov/authorities/names/nb99105919  |1 http://isni.org/isni/0000000037769391. 
700 1 |a Rawnsley, Gary D.,  |e editor.  |0 http://id.loc.gov/authorities/names/n95118391  |1 http://isni.org/isni/0000000108673451. 
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