Preserving popular music heritage : do-it-yourself, do-it-together / edited by Sarah Baker.

There is a growing awareness around the world of the pressing need to archive the material remnants of popular music so as to safeguard the national and local histories of this cultural form. Current research suggests that in the past 20 or so years there has been an expansion of DIY heritage practi...

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Bibliographic Details
Online Access: Full Text (via Taylor & Francis)
Other Authors: Baker, Sarah, 1977- (Editor)
Format: eBook
Language:English
Published: New York, NY : Routledge, 2015.
Series:Routledge research in music ; 11.
Subjects:

MARC

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245 0 0 |a Preserving popular music heritage :  |b do-it-yourself, do-it-together /  |c edited by Sarah Baker. 
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490 1 |a Routledge research in music ;  |v 11. 
504 |a Includes bibliographical references and index. 
505 0 |a Cover; Half Title; Title Page; Copyright Page; Contents; List of Figures and Tables; Acknowledgements; 1 Identifying Do-it-Yourself Places of Popular Music Preservation; PART I: Unpacking DIY Popular Music Heritage Practice; 2 The Shaping of Heritage: Collaborations between Independent Popular Music Heritage Practitioners and the Museum Sector; 3 Valuing Popular Music Heritage: Exploring Amateur and Fan-Based Preservation Practices in Museums and Archives in the Netherlands; 4 Affective Archiving and Collective Collecting in Do-it-Yourself Popular Music Archives and Museums. 
505 8 |a 5 "Really Saying Something?" What Do We Talk About When We Talk About Popular Music Heritage, Memory, Archives and the Digital?6 Doing-it-Together: Public History-Making and Activist Archiving in Online Popular Music Community Archives; 7 Alternative Histories and Counter-Memories: Feminist Music Archives in Europe; 8 "When Folk Meets Pop": DIY Archives in the Making of a Punk Rock DIY Community in Western France; 9 Creating a Comprehensive Archive of Maltese Music on CD; 10 "They're Not Pirates, They're Archivists": The Role of Fans as Curators and Archivists of Popular Music Heritage. 
505 8 |a 11 Coming Together: DIY Heritage and The Beatles12 Trading Offstage Photos: Take That Fan Culture and the Collaborative Preservation of Popular Music Heritage; PART II: Case Studies; 13 Pompey Pop: Documenting Portsmouth's Popular Music Scenes; 14 ketebul Music: Retracing and Archiving kenya's Popular Music; 15 Bokoor African Popular Music Archives Foundation: Ghana's Highlife Music Institute and the Need for Popular Music Archiving; 16 Proyecto Caracas Memorabilia: Reconstructing Pop Music History in Venezuela. 
505 8 |a 17 The Australian Jazz Museum: All That Aussie Jazz -- A Potted History of the Victorian Jazz Archive, 1996-201418 The Australian Country Music Hall of Fame: A DIY Museum and Archive in Australia's "Country Music Capital"; 19 Re:Muse-icology: Defining a National Landscape for the Study and Preservation of Rock'n'roll's Built Heritage in America; 20 Editions of You: A DIY Archive of DIY Practice; List of Contributors; Index. 
520 |a There is a growing awareness around the world of the pressing need to archive the material remnants of popular music so as to safeguard the national and local histories of this cultural form. Current research suggests that in the past 20 or so years there has been an expansion of DIY heritage practice, with the founding of numerous DIY popular music institutions, archives and museums around the world. This edited collection seeks to explore the role of DIY or Pro-Am (Professional-Amateur) practitioners of popular music archiving and preservation. It looks critically at ideas around ""DIY preser. 
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