Seeing differently : a history and theory identification and the visual arts / Amelia Jones.

Seeing Differently offers a history and theory of ideas about identity in relation to visual arts discourses and practices in Euro-American culture, from early modern beliefs that art is an expression of an individual, the painted image a "world picture" expressing a comprehensive and cohe...

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Bibliographic Details
Online Access: Full Text (via Taylor & Francis)
Main Author: Jones, Amelia
Other title:Identification, contemporary art, and visual culture.
Format: eBook
Language:English
Published: Abingdon, Oxon [England] ; New York, NY : Routledge, 2012.
Edition:1st ed.
Subjects:

MARC

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100 1 |a Jones, Amelia. 
245 1 0 |a Seeing differently :  |b a history and theory identification and the visual arts /  |c Amelia Jones. 
246 3 |a Identification, contemporary art, and visual culture. 
250 |a 1st ed. 
260 |a Abingdon, Oxon [England] ;  |a New York, NY :  |b Routledge,  |c 2012. 
300 |a 1 online resource (xxx, 254 pages) :  |b illustrations. 
336 |a text  |b txt  |2 rdacontent. 
337 |a computer  |b c  |2 rdamedia. 
338 |a online resource  |b cr  |2 rdacarrier. 
505 0 |a Introduction. The leaking frame of the argument on how to see differently -- Art as a binary proposition; identity as a binary proposition -- Fetishizing the gaze and the anamorphic perversion : "the other is you" -- Multiculturalism, intersectionality, and "post-identity" -- Queer feminist durationality : time and materiality as a means of resisting spatial objectification -- Seeing and reconceiving difference, concluding thoughts, without final conclusions. 
504 |a Includes bibliographical references and index. 
520 |a Seeing Differently offers a history and theory of ideas about identity in relation to visual arts discourses and practices in Euro-American culture, from early modern beliefs that art is an expression of an individual, the painted image a "world picture" expressing a comprehensive and coherent point of view, to the rise of identity politics after WWII in the art world and beyond. The book is both a history of these ideas (for example, tracing the dominance of a binary model of self and other from Hegel through classic 1970s. 
650 0 |a Identity (Philosophical concept) in art. 
650 0 |a Visual perception in art. 
650 0 |a Arts, Modern. 
650 0 |a Aesthetics, Modern. 
650 7 |a Aesthetics, Modern.  |2 fast  |0 (OCoLC)fst00798800. 
650 7 |a Arts, Modern.  |2 fast  |0 (OCoLC)fst00818137. 
650 7 |a Identity (Philosophical concept) in art.  |2 fast  |0 (OCoLC)fst01903557. 
650 7 |a Visual perception in art.  |2 fast  |0 (OCoLC)fst01905084. 
776 0 8 |i Print version:  |a Jones, Amelia.  |t Seeing differently.  |b 1st ed.  |d Abingdon, Oxon [England] ; New York, NY : Routledge, 2012  |w (DLC) 2011037036. 
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