Molière today. 2 / issue editor, Michael Spingler.
These essays develop the argument that Moliere needs to be rescued from the pantheon of classical literature and put back on the Pont-Neuf with the strolling players, low-life rogues, cut-purses and clowns with whom he filled his theatre.
Saved in:
Online Access: |
Full Text (via Taylor & Francis) |
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Other Authors: | |
Format: | eBook |
Language: | English |
Published: |
Amsterdam :
Harwood Academic Publishers,
1997.
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Series: | Contemporary theatre review.
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Subjects: |
MARC
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245 | 0 | 0 | |a Molière today. |n 2 / |c issue editor, Michael Spingler. |
260 | |a Amsterdam : |b Harwood Academic Publishers, |c 1997. | ||
300 | |a 1 online resource (82 pages) | ||
336 | |a text |b txt |2 rdacontent. | ||
337 | |a computer |b c |2 rdamedia. | ||
338 | |a online resource |b cr |2 rdacarrier. | ||
490 | 1 | |a Contemporary theatre review. | |
490 | 0 | |a Molière today. | |
504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a The other voice and the script : re-viewing classical French theatre / Laurence Romero -- Molière's Dom Juan adapted for Brecht's Berliner ensemble / Peter W. Ferran -- Changing the limits : Molière, Planchon, and L'Avare / Helen L. Harrison -- Getting down to business in Molière's Le Bourgeois Gentilhomme / Philip R. Berk. | |
520 | |a These essays develop the argument that Moliere needs to be rescued from the pantheon of classical literature and put back on the Pont-Neuf with the strolling players, low-life rogues, cut-purses and clowns with whom he filled his theatre. | ||
588 | 0 | |a Print version record. | |
600 | 1 | 0 | |a Molière, |d 1622-1673. |
600 | 1 | 0 | |a Molière, |d 1622-1673 |x Criticism and interpretation. |
650 | 0 | |a French literature. | |
600 | 1 | 7 | |a Molière, |d 1622-1673. |2 fast |0 (OCoLC)fst00034253. |
650 | 7 | |a French literature. |2 fast |0 (OCoLC)fst00934688. | |
655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635. | |
700 | 1 | |a Spingler, Michael. | |
830 | 0 | |a Contemporary theatre review. | |
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