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|a World cinemas, transnational perspectives
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|c edited by Nataša Ďurovičová and Kathleen Newman.
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|a Includes bibliographical references (pages 326-349) and indexes.
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|a The geopolitical imaginary of cinema studies. Notes on transnational film theory: decentered subjectivity, decentered capitalism / Kathleen Newman -- On the plurality of cinematic transnationalism / Mette Hjort -- Tracking "global media" in the outposts of globalization / Bhaskar Sarkar -- Time zones and jetlag: the flows and phases of world cinema / Dudley Andrew -- Vector, flow, zone: towards a history of cinematic translation / Nataša Ďurovičová -- Cinema as transnational exchange. Chinese cinema and transnational film studies / Yingjin Zhang -- National cinema abroad: the new international division of cultural labor, from production to viewing / Toby Miller -- Aural identity, genealogies of sound technologies, and Hispanic transnationality on screen / Marvin D'Lugo -- How movies move (between Hong Kong and Bulawayo, between screen and stage-- ) / Lesley Stern -- The new paradoxes of black Africa's cinemas / Olivier Barlet -- The transnational other: street kids in contemporary Brazilian cinema / João Luiz Vieira -- Comparative perspectives. Fantasy in action / Paul Willemen -- Vernacular modernism: tracking cinema on a global scale / Miriam Hansen -- Globalization and hybridization / Fredric Jameson -- From playtime to the world: the expansion and depletion of space within global economies / Jonathan Rosenbaum.
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|a Print version record.
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|a Motion pictures and transnationalism.
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|a Motion pictures and globalization.
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|a Motion pictures and globalization.
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|a Motion pictures and transnationalism.
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|a Ďurovičová, Natasa.
|0 http://id.loc.gov/authorities/names/n2009000122
|1 http://isni.org/isni/0000000115905986.
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|a Newman, Kathleen E.
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|t World cinemas, transnational perspectives.
|d New York : Routledge, 2010
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