Radio drama [electronic resource] : theory and practice / Tim Crook.
"Radio Drama brings together the practical skills needed for radio drama, such as directing, writing and sound design, with media history and communication theory. From the early audio broadcasts of 1914 and the development of General Electric's New York WGY station in 1922, through Orson...
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Format: | Electronic eBook |
Language: | English |
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London ; New York :
Routledge,
1999.
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100 | 1 | |a Crook, Tim, |d 1959- |0 http://id.loc.gov/authorities/names/n97041921 |1 http://isni.org/isni/0000000382835353. | |
245 | 1 | 0 | |a Radio drama |h [electronic resource] : |b theory and practice / |c Tim Crook. |
260 | |a London ; |a New York : |b Routledge, |c 1999. | ||
300 | |a 1 online resource (xi, 296 pages) : |b illustrations. | ||
336 | |a text |b txt |2 rdacontent. | ||
337 | |a computer |b c |2 rdamedia. | ||
338 | |a online resource |b cr |2 rdacarrier. | ||
504 | |a Includes bibliographical references (pages 269-287) and index. | ||
505 | 0 | |a A new media history perspective through audio drama -- Radio drama as modernity -- The electrophone or théâtrophone: broadcasting audio drama before the radio -- The six ages of audio drama and the internet epoch -- From sound houses to the phonograph sound play -- A technological time-line -- A culturalist approach to internet audio drama -- Radio drama is not a blind medium -- Sound design vocabulary -- The cinematic and musical inspiration -- Blurring fiction with reality -- Radio drama panics: a cross-cultural phenomenon -- Moving from burlesque to propaganda and news -- The War of the worlds effect: Spoonface Steinberg? -- Spoonface Steinberg: constructing the Holocaust as a means of identification -- The writing agenda for audio drama -- Creating the character and effective use of characterisation -- Writing dialogue -- The phantom distinction -- Making the documentary feature -- Directorial responsibility -- Managing the production -- Experimental direction and performance. | |
520 | 1 | |a "Radio Drama brings together the practical skills needed for radio drama, such as directing, writing and sound design, with media history and communication theory. From the early audio broadcasts of 1914 and the development of General Electric's New York WGY station in 1922, through Orson Welles's startling Hallowe'en broadcast of War of the Worlds in 1938, to more recent radio spoofs and the subversive challenge from 'media guerrillas', Tim Crook explores the history and contemporary practice of radio drama. Challenging the belief that sound drama is a 'blind medium', Radio Drama shows how experimentation in radio narrative has blurred the dividing line between fiction and reality in modern media. | |
520 | 8 | |a Using extracts from scripts and analysing radio broadcasts from America, Britain, Canada and Australia, the book explores the practicalities of producing drama for radio."--Jacket. | |
546 | |a English. | ||
588 | 0 | |a Print version record. | |
650 | 0 | |a Radio plays |x History and criticism. |0 http://id.loc.gov/authorities/subjects/sh2010109349. | |
650 | 7 | |a Radio plays. |2 fast |0 (OCoLC)fst01087428. | |
655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635. | |
776 | 0 | 8 | |i Print version: |a Crook, Tim, 1959- |t Radio drama. |d London ; New York : Routledge, 1999 |z 0415216028 |w (DLC) 99026899 |w (OCoLC)41086778. |
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