Spectatorship and film theory : the wayward spectator / Carlo Comanducci.
This book interrogates the relation between film spectatorship and film theory in order to criticise some of the disciplinary and authoritarian assumptions of 1970s apparatus theory, without dismissing its core political concerns. Theory, in this perspective, should not be seen as a practice distinc...
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| Format: | eBook |
| Language: | English |
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Cham, Switzerland :
Palgrave Macmillan,
[2018]
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MARC
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| 100 | 1 | |a Comanducci, Carlo, |e author. |0 http://id.loc.gov/authorities/names/no2019018386 |1 http://isni.org/isni/0000000459145351. | |
| 245 | 1 | 0 | |a Spectatorship and film theory : |b the wayward spectator / |c Carlo Comanducci. |
| 264 | 1 | |a Cham, Switzerland : |b Palgrave Macmillan, |c [2018] | |
| 264 | 4 | |c ©2018. | |
| 300 | |a 1 online resource. | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Intro; Acknowledgements; Contents; Chapter 1 Introduction: Film Theory, a Divided Passion?; The One Who Turns Around; The Consensual Spectator; What a Spectator Is Not; Bibliography; Chapter 2 The Heteronomy of Subjectivity and the Spectator's Emancipation; Spectatorship as a Discursive Practice; The Ideological Unconscious and the Heteronomous Subject; The Future of Disillusion: Emancipation as a Knowledge Effect; Freud's Horse; The Heteronomous Subject and the Power of Looking on; Spectatorship as Tension; Bibliography; Chapter 3 Everyday Film Theory. | |
| 505 | 8 | |a Film Theory as an Integral Element of Film ExperienceBreaking the Spell of Theory; The Beginnings of Film Theory; The Spectator as Infans; Rancière's Lesson; Free Use; Bibliography; Chapter 4 Situatedness and Contingency of Film Experience; Contingency and Film Theory; Universality and Contingency; Radical Contingency and the Psychoanalytic Subject; Singular Contingency and Extended Spectatorship; If Only a Bat Hadn't Come into the Story; The Inscription of Contingency; Bibliography; Chapter 5 The Process of Free Association and Film as an Evocative Object. | |
| 505 | 8 | |a Psychoanalysis as Discourse and PracticeThe Unconscious and the Mastery of Concepts; The Metapsychological Spectator and the Regime of Interpretation; From Hysteria and "the Great Complex of Associations" to the Interpretation of Dreams; Method and Process of Free Associations; Film as Evocativev Object; Bibliography; Chapter 6 The Indeterminacy of Embodiment; Ontology and the Phenomenological Turn; Non-objectual Embodiment; Discursivity of the Body and Incitation to Discourse; Visibility and the Visual; Embodiment and Contingency; If Only a Fly Hadn't Come into the Body. | |
| 505 | 8 | |a Inaccurate Self-ReplicationsOn Choice and the Benefits of Doubt; Bibliography; Chapter 7 The Spectator as a History of Encounters; Partages de l'ombre; Spectatorship's Light; Afterimages; Man in the Dark; Theory as a Form of Forgetfulness; It Takes Two (to Be Less Than One); Bibliography; Index. | |
| 520 | |a This book interrogates the relation between film spectatorship and film theory in order to criticise some of the disciplinary and authoritarian assumptions of 1970s apparatus theory, without dismissing its core political concerns. Theory, in this perspective, should not be seen as a practice distinct from spectatorship but rather as an integral aspect of the spectator's gaze. Combining Jacques Rancière's emancipated spectator with Judith Butler's queer theory of subjectivity, Spectatorship and Film Theory foregrounds the contingent, embodied and dialogic aspects of our experience of film. Erratic and always a step beyond the grasp of disciplinary discourse, this singular work rejects the notion of the spectator as a fixed position, and instead presents it as a field of tensions--a "wayward" history of encounters. | ||
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| 776 | 0 | 8 | |i Print version: |a Comanducci, Carlo. |t Spectatorship and film theory. |d Cham, Switzerland : Palgrave Macmillan, [2018] |z 3319967428 |z 9783319967424 |w (OCoLC)1042076176. |
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