Gerhard Richter : painting after all / Sheena Wagstaff, Benjamin H. D. Buchloh ; with essays by Briony Fer, Hal Foster, Peter Geimer, Brinda Kumar, André Rottmann.

A lavishly illustrated monograph that spans the entire career of one of the most celebrated contemporary artists. Over the course of his acclaimed 60-year career, Gerhard Richter (b. 1932) has employed both representation and abstraction as a means of reckoning with the legacy, collective memory, an...

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Bibliographic Details
Main Authors: Wagstaff, Sheena (Author), Buchloh, B. H. D. (Author), Fer, Briony (Author), Foster, Hal (Author), Geimer, Peter (Author), Kumar, Brinda (Author), Rottmann, André (Author)
Format: Book
Language:English
Published: New York : Metropolitan Museum of Art, [2020]
Subjects:

MARC

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245 1 0 |a Gerhard Richter :  |b painting after all /  |c Sheena Wagstaff, Benjamin H. D. Buchloh ; with essays by Briony Fer, Hal Foster, Peter Geimer, Brinda Kumar, André Rottmann. 
264 1 |a New York :  |b Metropolitan Museum of Art,  |c [2020] 
300 |a 269 pages :  |b illustrations (some color) ;  |c 27 cm. 
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500 |a Catalog of an exhibition at the Metropolitan Museum of Art, New York, March 4-July 5, 2020; and at the Museum of Contemporary Art, Los Angeles, from August 14, 2020-January 19, 2021. 
504 |a Includes bibliographical references (pages 252-263) and index. 
520 8 |a A lavishly illustrated monograph that spans the entire career of one of the most celebrated contemporary artists. Over the course of his acclaimed 60-year career, Gerhard Richter (b. 1932) has employed both representation and abstraction as a means of reckoning with the legacy, collective memory, and national sensibility of post-Second World War Germany, in both broad and very personal terms. This handsomely designed book features approximately 100 of his key canvases, from photo paintings created in the early 1960s to portraits and later large-scale abstract series, as well as select works in glass. New essays by eminent scholars address a variety of themes: Sheena Wagstaff evaluates the conceptual import of the artist's technique; Benjamin H. D. Buchloh discusses the poignant Birkenau paintings (2014); Peter Geimer explores the artist's enduring interest in photographic imagery; Briony Fer looks at Richter's family pictures against traditional painting genres and conventions; Brinda Kumar investigates the artist's engagement with landscape as a site of memory; Andre Rottmann considers the impact of randomization and chance on Richter's abstract works; and Hal Foster examines the glass and mirror works. As this book demonstrates, Richter's rich and varied oeuvre is a testament to the continued relevance of painting in contemporary art. Exhibition: Metropolitan Museum of Art, New York, USA (04.03. - 05.07.2020) 
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700 1 |a Foster, Hal,  |e author.  |0 http://id.loc.gov/authorities/names/n82058148  |1 http://isni.org/isni/0000000121319625. 
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700 1 |a Rottmann, André,  |e author.  |0 http://id.loc.gov/authorities/names/no2012139431  |1 http://isni.org/isni/0000000433413274. 
710 2 |a Metropolitan Museum of Art (New York, N.Y.),  |e host institution.  |0 http://id.loc.gov/authorities/names/n79129629  |1 http://isni.org/isni/0000000120973481. 
710 2 |a Museum of Contemporary Art (Los Angeles, Calif.),  |e host institution.  |0 http://id.loc.gov/authorities/names/n83206447. 
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