Restaging war in the western world [electronic resource] : noncombatant experiences, 1890-today / edited by Maartje Abbenhuis and Sara Buttsworth.

This collection seeks to move noncombatant perspectives to center stage, acknowledging their importance, destabilizing the primacy of the combatant, and explaining or undermining the staging of warfare as a singular and acontextual production.

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Bibliographic Details
Online Access: Full Text (via Springer)
Other Authors: Abbenhuis, Maartje, Buttsworth, Sara
Format: Electronic eBook
Language:English
Published: New York, NY : Palgrave Macmillan, 2009.
Edition:1st ed.
Subjects:

MARC

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245 0 0 |a Restaging war in the western world  |h [electronic resource] :  |b noncombatant experiences, 1890-today /  |c edited by Maartje Abbenhuis and Sara Buttsworth. 
250 |a 1st ed. 
260 |a New York, NY :  |b Palgrave Macmillan,  |c 2009. 
300 |a 1 online resource (viii, 231 pages) :  |b illustrations. 
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504 |a Includes bibliographical references and index. 
505 0 |a Gilt epaulettes for a gilded age : citizen volunteers and martial culture in post-Civil War New York / Mark A. Potter -- Patterns from the guardians of neturality : women social democrats in Sweden and their resistance against civil defense, 1939-1940 / Irene Andersson -- Bride ship, brothel ship : conflicting images of war brides arriving in New Zealand in the 1940s / Gabrielle A. Fortune -- Innocence and punishment : the war experiences of the children of Dutch Nazi collaborators / Ismee Tames -- The child soldier in literature or how Johnny Tremain became Johnny Mad Dog / David M. Rosen -- From bedpans to bulldogs : Lottie : Gallipoli nurse and the pitfalls of presenting war to the young / Sara Buttsworth -- "We aren't playing that passive role any longer" : American women's protest of the Vietnam War / Penelope Adams Moon -- Mixed messages : gender, peace, and the mainstream media in Australia, 1983-1984 / Suellen Murray -- The war at home : toys, media, and play as war work / Karen J. Hall. 
520 |a This collection seeks to move noncombatant perspectives to center stage, acknowledging their importance, destabilizing the primacy of the combatant, and explaining or undermining the staging of warfare as a singular and acontextual production. 
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