The mass image [electronic resource] : a social history of photomechanical reproduction in Victorian London / Gerry Beegan.
Walter Benjamin's The Work of Art in the Age of Mechanical Reproduction (1936) identified the cultural shift that occurred at the end of the nineteenth century, when photomechanical techniques destabilized existing visual hierarchies and helped initiate the modern media. The Mass Image provides...
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| Online Access: |
Full Text (via Springer) |
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| Main Author: | |
| Other title: | Social history of photomechanical reproduction in Victorian London. |
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Basingstoke [England] ; New York :
Palgrave Macmillan,
2008.
|
| Subjects: |
MARC
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| 100 | 1 | |a Beegan, Gerry, |d 1953- |0 http://id.loc.gov/authorities/names/n2007080038 |1 http://isni.org/isni/0000000114910599. | |
| 245 | 1 | 4 | |a The mass image |h [electronic resource] : |b a social history of photomechanical reproduction in Victorian London / |c Gerry Beegan. |
| 246 | 3 | 0 | |a Social history of photomechanical reproduction in Victorian London. |
| 260 | |a Basingstoke [England] ; |a New York : |b Palgrave Macmillan, |c 2008. | ||
| 300 | |a 1 online resource (xii, 302 pages) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent. | ||
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| 505 | 0 | |a Introduction: Mass Reproduction and the Mass Audience -- Imaging the City: London and the Media in the 1890s -- Wood Engraving: Facsimile and Fragmentation -- Process Reproduction and the Image Assembly Line -- The Illustration of the Everyday -- The Photograph on the Page -- Learning to Read the Halftone -- Bibliography. | |
| 504 | |a Includes bibliographical references (pages 210-290) and index. | ||
| 520 | |a Walter Benjamin's The Work of Art in the Age of Mechanical Reproduction (1936) identified the cultural shift that occurred at the end of the nineteenth century, when photomechanical techniques destabilized existing visual hierarchies and helped initiate the modern media. The Mass Image provides the first substantial account of the emergence of the photographically reproduced image as it traces the expansion of imagery that transformed the artistic and cultural landscape of the 1890s. This book looks in detail at the illustrators, photographers, editors, publishers, wood engravers, and reproduction firms who commissioned, originated, and produced images in popular illustrated magazines. The book demonstrates that photomechanical reproduction was central to an explosion of hybrid hand drawn and photographic imagery. These visual fragments provided readers with a meaningful picture of the surfaces of everyday modernity. | ||
| 588 | 0 | |a Print version record. | |
| 650 | 0 | |a Magazine illustration |z England |z London |y 19th century. | |
| 650 | 0 | |a Magazine illustration |x Social aspects |z England |z London. | |
| 650 | 0 | |a Photoengraving |x Halftone process. |0 http://id.loc.gov/authorities/subjects/sh85101169. | |
| 650 | 0 | |a Photomechanical processes |z England |z London. | |
| 650 | 7 | |a Magazine illustration. |2 fast |0 (OCoLC)fst01005433. | |
| 650 | 7 | |a Photoengraving |x Halftone process. |2 fast |0 (OCoLC)fst01061567. | |
| 651 | 7 | |a England |z London. |2 fast |0 (OCoLC)fst01204271. | |
| 776 | 0 | 8 | |i Print version: |a Beegan, Gerry, 1953- |t Mass image. |d Basingstoke [England] ; New York : Palgrave Macmillan, 2008 |z 0230553273 |z 9780230553279 |w (DLC) 2007046012 |w (OCoLC)222592023. |
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