Twentieth century art theory : urbanism, politics, and mass culture / [edited by] Richard Hertz, Norman M. Klein.
"An overview of modern art theory and history, this anthology treats modern art as a complex cultural, political, and social process intimately connected with larger cultural, political, and social contexts."--Pearson.
Saved in:
| Online Access: |
Full Text (via Internet Archive) |
|---|---|
| Other Authors: | , |
| Format: | eBook |
| Language: | English |
| Published: |
Englewood Cliffs, NJ :
Prentice Hall,
©1990.
|
| Subjects: |
Table of Contents:
- Part one : Modern art, urbanism, and mass production. The modern spirit 1918 / Le Corbusier and Amedee Ozenfant
- Constructivist art 1921 / Alexander Rodchenko and Varvara Stepanova
- What is constructivism? 1924 / Editors of Blok
- Futurism and the automobile 1985 / Gerald Silk
- The machine aesthetic 1 : the manufactured object, the artisan 1924 / Fernand Leger
- The new vision 1928 / Laszlo Moholy-Nagy
- Art out into technology 1932 / Vladimir Tatlin
- Dada, constructivism 1984 / Dawn Ades
- From faktura to factography 1984 / Benjamin H.D. Buchloh
- The artist and the machine 1932 / Paul T. Frankl
- Art and the machine : background in art and industry 1936 / Sheldon Cheney and Martha Cheney
- Selling the machine age 1986 / Richard Guy Wilson
- Part two : Modern art, war, and politics. Notes on cubism, war, and labour 1985 / Roger D. Cranshaw
- Zurich 1916, as it really was 1928 / Richard Huelsenbech
- My new pictures 1920 / George Grosz
- The deutscher woerkbund from 1907 to 1933 and the movements for the Reform of life and culture 1977 / Joachim Petsch
- The November revolution and the institutionalization of expressionism in Berlin 1988
- Beyond communism 1920 / Filippo Marinetti
- Portrait of Mussolini 1929 / Filippo Marinetti
- Guns 1919 / Wyndham Lewis
- The men who paint hell 1919 / Wyndham Lewis
- Revolutionary art, mass art, and the specific form of the class struggle 1929 / Cesar Vallejo
- Functionalism 1936 / Katarzyna Kobro
- Modern art in Poland 1934 / Wladyslaw Strzeminski / Virility and domination in early twentieth century vanguard painting 1973 / Carol Duncan
- Feminity and feminism 1981 / Rozsika Parker and Griselda Pollock
- Part 3 : Modern art and mass culture. The significance of colour for interior and exterior architecture 1923 / Theo van Doesburg
- The quarrel with realism, the destiny of painting 1930s / Le Corbusier
- Agit-prop art : the streets were their theater 1980 / Szymon Bojko
- Film directors, a revolution from Lef 1923 / Dziga Vertov
- Topography of typography 1923 / El Lissitzky
- Our book 1926 / El Lissitzky
- Rules about typography 1924 / Kurt Schwitters
- Inspiration to order 1932 / Max Ernst
- New thoughts on the plastic arts in Mexico 1933 / David Siqueros
- Painting after the war 1936 / Ambroise Vollard
- My life in London 1946 / Peggy Guggenheim
- The creative act 1957 ; Apropos of readymades 1939 / Marcel Duchamp
- The avante-garde and kitsch 1939 / Clement Greenberg
- Jackson Pollock, is he the greatest living painter in the United States 1949 / Life magazine
- The postwar product : the ICA's department of design in industry 1985 / David Joselit
- One-dimensional society 1964 / Herbert Marcuse
- Part 4 : Revisions of modernism. Postmodernism in a nominalist frame 1988 / John Rajchman
- What is history for? 1989 / Sande Cohen
- Turning the postmodern corner : a personal epilogue 1989 / Peter Hertz-Ohmes.