Twentieth century art theory : urbanism, politics, and mass culture / [edited by] Richard Hertz, Norman M. Klein.
"An overview of modern art theory and history, this anthology treats modern art as a complex cultural, political, and social process intimately connected with larger cultural, political, and social contexts."--Pearson.
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Online Access: |
Full Text (via Internet Archive) |
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Other Authors: | , |
Format: | eBook |
Language: | English |
Published: |
Englewood Cliffs, NJ :
Prentice Hall,
©1990.
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Subjects: |
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050 | 0 | 4 | |a N6490 |b .T88 1990 |
245 | 0 | 0 | |a Twentieth century art theory : |b urbanism, politics, and mass culture / |c [edited by] Richard Hertz, Norman M. Klein. |
260 | |a Englewood Cliffs, NJ : |b Prentice Hall, |c ©1990. | ||
300 | |a 1 online resource (viii, 423 pages : |b illustrations) | ||
336 | |a text |b txt |2 rdacontent. | ||
337 | |a computer |b c |2 rdamedia. | ||
338 | |a online resource |b cr |2 rdacarrier. | ||
504 | |a Includes bibliographical references (pages 409-413) and index. | ||
505 | 0 | |a Part one : Modern art, urbanism, and mass production. The modern spirit 1918 / Le Corbusier and Amedee Ozenfant -- Constructivist art 1921 / Alexander Rodchenko and Varvara Stepanova -- What is constructivism? 1924 / Editors of Blok -- Futurism and the automobile 1985 / Gerald Silk -- The machine aesthetic 1 : the manufactured object, the artisan 1924 / Fernand Leger -- The new vision 1928 / Laszlo Moholy-Nagy -- Art out into technology 1932 / Vladimir Tatlin -- Dada, constructivism 1984 / Dawn Ades -- From faktura to factography 1984 / Benjamin H.D. Buchloh -- The artist and the machine 1932 / Paul T. Frankl -- Art and the machine : background in art and industry 1936 / Sheldon Cheney and Martha Cheney -- Selling the machine age 1986 / Richard Guy Wilson -- | |
505 | 0 | |a Part two : Modern art, war, and politics. Notes on cubism, war, and labour 1985 / Roger D. Cranshaw -- Zurich 1916, as it really was 1928 / Richard Huelsenbech -- My new pictures 1920 / George Grosz -- The deutscher woerkbund from 1907 to 1933 and the movements for the Reform of life and culture 1977 / Joachim Petsch -- The November revolution and the institutionalization of expressionism in Berlin 1988 -- Beyond communism 1920 / Filippo Marinetti -- Portrait of Mussolini 1929 / Filippo Marinetti -- Guns 1919 / Wyndham Lewis -- The men who paint hell 1919 / Wyndham Lewis -- Revolutionary art, mass art, and the specific form of the class struggle 1929 / Cesar Vallejo -- Functionalism 1936 / Katarzyna Kobro -- Modern art in Poland 1934 / Wladyslaw Strzeminski / Virility and domination in early twentieth century vanguard painting 1973 / Carol Duncan -- Feminity and feminism 1981 / Rozsika Parker and Griselda Pollock -- | |
505 | 0 | |a Part 3 : Modern art and mass culture. The significance of colour for interior and exterior architecture 1923 / Theo van Doesburg -- The quarrel with realism, the destiny of painting 1930s / Le Corbusier -- Agit-prop art : the streets were their theater 1980 / Szymon Bojko -- Film directors, a revolution from Lef 1923 / Dziga Vertov -- Topography of typography 1923 / El Lissitzky -- Our book 1926 / El Lissitzky -- Rules about typography 1924 / Kurt Schwitters -- Inspiration to order 1932 / Max Ernst -- New thoughts on the plastic arts in Mexico 1933 / David Siqueros -- Painting after the war 1936 / Ambroise Vollard -- My life in London 1946 / Peggy Guggenheim -- The creative act 1957 ; Apropos of readymades 1939 / Marcel Duchamp -- The avante-garde and kitsch 1939 / Clement Greenberg -- Jackson Pollock, is he the greatest living painter in the United States 1949 / Life magazine -- The postwar product : the ICA's department of design in industry 1985 / David Joselit -- One-dimensional society 1964 / Herbert Marcuse -- | |
505 | 0 | |a Part 4 : Revisions of modernism. Postmodernism in a nominalist frame 1988 / John Rajchman -- What is history for? 1989 / Sande Cohen -- Turning the postmodern corner : a personal epilogue 1989 / Peter Hertz-Ohmes. | |
520 | |a "An overview of modern art theory and history, this anthology treats modern art as a complex cultural, political, and social process intimately connected with larger cultural, political, and social contexts."--Pearson. | ||
650 | 0 | |a Art criticism. | |
650 | 0 | |a Art, Modern |y 20th century |x Philosophy. | |
650 | 0 | |a Art and society |x History |y 20th century. | |
650 | 0 | |a Politics in art. | |
650 | 7 | |a Art and society. |2 fast |0 (OCoLC)fst00815432. | |
650 | 7 | |a Art, Modern |x Philosophy. |2 fast |0 (OCoLC)fst00816650. | |
650 | 7 | |a Politics in art. |2 fast |0 (OCoLC)fst01896083. | |
655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628. | |
700 | 1 | |a Hertz, Richard, |d 1940- | |
700 | 1 | |a Klein, Norman M., |d 1945- | |
776 | 0 | 8 | |i Online version: |t Twentieth century art theory. |d Englewood Cliffs, NJ : Prentice Hall, ©1990 |w (OCoLC)609298805. |
776 | 0 | 8 | |i Online version: |t Twentieth century art theory. |d Englewood Cliffs, NJ : Prentice Hall, ©1990 |w (OCoLC)609856816. |
856 | 4 | 0 | |u https://archive.org/details/twentiethcentury0000unse_m1a5 |z Full Text (via Internet Archive) |
907 | |a .b111963278 |b 06-25-20 |c 06-25-20 | ||
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952 | f | f | |p Can circulate |a University of Colorado Boulder |b Online |c Online |d Online |e N6490 .T88 1990 |h Library of Congress classification |i web |n 1 |