Sounding imperial : poetic voice and the politics of empire, 1730-1820 / James Mulholland.
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Full Text (via ProQuest) |
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| Format: | eBook |
| Language: | English |
| Published: |
Baltimore :
The Johns Hopkins University Press,
2012.
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| Subjects: |
Table of Contents:
- Contents
- List of Illustrations
- Acknowledgments
- Introduction: The Global Aesthetics of Poetic Voice
- 1. Thomas Gray, Virtual Authorship, and the Performed Voice
- Authoring Gray�s “Elegy�
- Performing Gray�s “Elegy�
- Impersonating the Bard?
- Wildness and Welsh Prosody
- Quotation Marks
- (Un)Editing the Bards
- 2. Wales, Public Poetry, and the Politics of Collective Voice
- Bardic Nationalism Reconsidered
- The Aboriginal Aesthetics of Iolo Morganwg
- Listening to the Welsh Past
- Dead Voices Reanimated.
- 3. Scotland and the Invention of VoicePrimitive Passions, Poetry Addiction, History
- Ambiguous Speech
- Writing, Re-performance, and Restored Voices
- Intimate Hailing
- Ossian�s Afterlife
- 4. Impersonating Native Voices in Anglo-Indian Poetry
- William Jones and the Fountainhead of Verse
- Making the Subaltern Speak
- Rewriting Gray�s “The Bard� in India
- Dislocated Orientalism
- Coda: Reading the Archive of the Inauthentic
- Notes
- Bibliography
- Index
- A
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K.
- LM
- N
- O
- P
- Q
- R
- S
- T
- V
- W
- Z.