Documentary storytelling : creative nonfiction on screen / Sheila Curran Bernard.
Updated and improved, with new case studies and conversations with award-winning filmmakers including Alex Gibney (Taxi to the Dark Side), James Marsh (Man on Wire), and Deborah Scranton (The War Tapes). Documentary Storytelling has reached filmmakers and filmgoers worldwide with its unique focus on...
Saved in:
Online Access: |
Full Text (via O'Reilly/Safari) |
---|---|
Main Author: | |
Format: | eBook |
Language: | English |
Published: |
Amsterdam ; Boston :
Focal Press,
©2011.
|
Edition: | 3rd ed. |
Subjects: |
MARC
LEADER | 00000cam a2200000 a 4500 | ||
---|---|---|---|
001 | b10291315 | ||
006 | m o d | ||
007 | cr ||||||||||| | ||
008 | 140213s2011 ne a ob 001 0 eng d | ||
005 | 20240829145005.9 | ||
019 | |a 784151076 | ||
020 | |a 9781136042256 | ||
020 | |a 1136042253 | ||
020 | |a 0240812417 | ||
020 | |a 9780240812410 | ||
020 | |z 9780240812410 | ||
029 | 1 | |a DEBBG |b BV041783689 | |
029 | 1 | |a DEBSZ |b 404333818 | |
029 | 1 | |a GBVCP |b 825905400 | |
029 | 1 | |a GBVCP |b 88272505X | |
035 | |a (OCoLC)safo870449849 | ||
035 | |a (OCoLC)870449849 |z (OCoLC)784151076 | ||
037 | |a safo9780240812410 | ||
040 | |a UMI |b eng |e pn |c UMI |d COO |d DEBBG |d DEBSZ |d OPELS |d OCLCF |d OCLCQ |d CNO |d OCLCQ |d CEF |d UAB |d AU@ |d OCLCQ |d OCLCO |d UKAHL |d OCLCQ |d OCLCO |d OCLCL |d OCLCQ | ||
049 | |a GWRE | ||
050 | 4 | |a PN1995.9.D6 |b B394 2011 | |
100 | 1 | |a Bernard, Sheila Curran. | |
245 | 1 | 0 | |a Documentary storytelling : |b creative nonfiction on screen / |c Sheila Curran Bernard. |
250 | |a 3rd ed. | ||
260 | |a Amsterdam ; |a Boston : |b Focal Press, |c ©2011. | ||
300 | |a 1 online resource (1 volume) : |b illustrations | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a volume |b nc |2 rdacarrier | ||
588 | 0 | |a Print version record. | |
504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a Introduction -- Part I Understanding Story: Story Basics; Finding the Story; Story Structure; Time on Screen; Creative Approach; Case Studies -- Part II Working with Story: Research; Planning; Selling; Shooting; Editing; Narration and Voice Over; Storytelling: A Checklist -- Part III Talking about Story: Steven Ascher and Jeanne Jordan; Victoria Bruce and Karin Hayes; Ric Burns; Brett Culp; Alex Gibney; Susan Kim; James Marsh; Sam Pollard; Deborah Scranton -- Part IV Additional Material: Sources and Notes; Films; About the Author; Index. | |
505 | 0 | |a Introduction -- Understanding story. Story basics ; Finding the story ; Story structure ; Time on screen ; Creative approach ; Case studies -- Working with story. Research ; Planning ; Selling ; Shooting ; Editing ; Narration and voice-over ; Storytelling : a checklist -- Talking about story. Steven Ascher and Jeanne Jordan ; Victoria Bruce and Karin Hayes ; Ric Burns ; Brett Culp ; Nick Fraser ; Alex Gibney ; Susan Kim ; James Marsh ; Sam Pollard ; Deborah Scranton -- Additional material. | |
520 | |a Updated and improved, with new case studies and conversations with award-winning filmmakers including Alex Gibney (Taxi to the Dark Side), James Marsh (Man on Wire), and Deborah Scranton (The War Tapes). Documentary Storytelling has reached filmmakers and filmgoers worldwide with its unique focus on the single most important aspect of documentary media-making: storytelling. Drawing on the narrative tools of the creative writer, the unique strengths of a visual and aural media, and the power of real-world content truthfully presented, Documentary Storytelling offers advice for producers, directors, editors, and cinematographers seeking to make ethical and effective nonfiction films, and for those who use these films to educate, inform, and inspire. Special interview chapters explore storytelling as practiced by renowned producers, directors, and editors. This third edition has been updated and expanded, with discussion of newer films including Waltz with Bashir and Why We Fight. * Storytelling techniques are one of the most powerful tools in the documentary filmmaker's arsenal-learn how to harness them with this book * Top documentary filmmakers provide their storytelling strategies * Covers a wide range of documentary styles. | ||
520 | 0 | |a "Drawing on the narrative tools of the creative writer, the unique strengths of a visual and aural media, and the power of real-world content truthfully presented, Documentary Storytelling offers advice for producers, directors, editors, and cinematographers seeking to make ethical and effective nonfiction films, and for those who use these films to educate, inform, and inspire. Special interview chapters explore storytelling as practiced by renowned producers, directors, and editors"--Pub. website. | |
650 | 0 | |a Documentary films |x Production and direction. | |
650 | 0 | |a Documentary films |x Authorship. | |
650 | 7 | |a Documentary films |x Authorship |2 fast | |
650 | 7 | |a Documentary films |x Production and direction |2 fast | |
776 | 0 | 8 | |a Bernard, Sheila Curran. |t Documentary storytelling. |b 3rd ed. |d Amsterdam ; Boston : Focal Press, ©2011 |z 9780240812410 |w (DLC) 2010017155 |w (OCoLC)608687877 |
856 | 4 | 0 | |u https://go.oreilly.com/UniOfColoradoBoulder/library/view/~/9780240812410/?ar |z Full Text (via O'Reilly/Safari) |
915 | |a - | ||
956 | |a O'Reilly-Safari eBooks | ||
956 | |b O'Reilly Online Learning: Academic/Public Library Edition | ||
994 | |a 92 |b COD | ||
998 | |b Subsequent record output | ||
999 | f | f | |i 8460bbc6-0e27-5fe6-8d3d-24791db8c408 |s 79175811-6f24-5778-821b-0d80878d4694 |
952 | f | f | |p Can circulate |a University of Colorado Boulder |b Online |c Online |d Online |e PN1995.9.D6 B394 2011 |h Library of Congress classification |i web |n 1 |