A companion to public art / edited by Cher Krause Knight and Harriet F. Senie.

A Companion to Public Art is the only scholarly volume to examine the main issues, theories, and practices of public art on a comprehensive scale.-Edited by two distinguished scholars with contributions from art historians, critics, curators, and art administrators, as well as artists themselves -In...

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Bibliographic Details
Online Access: Full Text (via ProQuest)
Other Authors: Knight, Cher Krause (Editor), Senie, Harriet (Editor)
Format: eBook
Language:English
Published: Chichester, West Sussex : Wiley, 2016.
Series:Blackwell companions to art history.
Subjects:
Table of Contents:
  • Acknowledgements Notes on Contributors A Companion to Public Art: Introduction; Cher Krause Knight and Harriet F. Senie I. Traditions Traditions: Introduction; Cher Krause Knight and Harriet F. Senie Artists' Philosophies Memory Works Julian Bonder Public Art? Antony Gormley Natural Phenomena as Public Monuments Alan Sonfist Chapter 1: Memorializing the Holocaust; James E.
  • Young Chapter 2: Chilean Memorials to the Disappeared: Symbolic Reparations and Strategies of Resistance; Marisa Lerer Chapter 3: Modern Mural Painting in the United States: Shaping Spaces/Shaping Publics; Sally Webster and Sylvia Rohr Chapter 4: Locating History in Concrete and Bronze: Civic Monuments in Bamako, Mali; Mary Jo Arnoldi Chapter 5: The Conflation of Heroes and Victims: A New Memorial Paradigm; Harriet F. Senie II. Site Site: Introduction; Cher Krause Knight and Harriet F.
  • Senie Artists' Philosophies Give That Site Some Privacy; eteam (Hajoe Moderegger and Franziska Lamprecht) The Grandiose Artistic Vision of Caleb Neelon; Caleb Neelon Chapter 6: Sculptural Showdowns: (Re)Siting and (Mis)Remembering in Chicago; Eli Robb Chapter 7: In the Streets Where We Live; Kate MacNeill Chapter 8: Powerlands: Land Art as Retribution and Reclamation; Erika Suderburg Chapter 9: Waterworks: Politics, Public Art and the University Campus; Grant Kester Chapter 10: Augmented Realities: Digital Art in the Public Sphere; Christiane Paul III. Audience Audience: Introduction; Cher Krause Knight and Harriet F.
  • Senie Artists' Philosophies Practical Strategies: Framing Narratives for Public Pedagogies; Suzanne Lacy Public Art in a Post-Public World: Complicity with Dark Matter; Gregory Sholette Chapter 11: Audiences Are People, Too: Social Art Practice as Lived Experience; Mary Jane Jacob Chapter 12: Contextualizing the Public in Social Practice Projects; Jennifer McGregor and Renee Piechocki Chapter 13: Art Administrators and Audiences; Charlotte Cohen and Wendy Feuer Chapter 14: Poll the Jury: The Role of the Panelist in Public Art; Mary M. Tinti Chapter 15: Participatory Public Art Evaluation: Approaches to Researching Audience Response; Katherine Gressel IV. Frames Frames: Introduction; Cher Krause Knight and Harriet F.
  • Senie Artists' Philosophies The Virtual Sphere Frame: Toward a New Ontology and Epistemology John Craig Freeman The Elusive Frame: "Funny, " "Violent" and "Sexy" Tatzu Nishi (Interview Conducted by Chieko Kinoshita) Chapter 16: The Time Frame: Encounters with Ephemeral Public Art; Patricia C. Phillips Chapter 17: The Memory Frame: Set in Stone, a Dialogue; Amanda Douberley and Paul Druecke Chapter 18: The Patronage Frame: New York City's Mayors and the Support of Public Art; Michele H.
  • Bogart Chapter 19: The Process Frame: Vandalism, Removal, Re-Siting, Destruction; Erika Doss Chapter 20: The Marketing Frame: Online Corporate Communities and Artistic Intervention; Jonathan Wallis Chapter 21: The Mass Media Frame: Pranking, Soap Operas and Public Art; Cher Krause Knight Epilogue; Cameron Cartiere Index.