Anime aesthetics : Japanese animation and the 'post-cinematic' imagination / Alistair D. Swale.

Japanese animation has been more broadly recognised and given fulsome academic commentary over the last decade. However, there is arguably a need for a more philosophically consistent and theoretically integrated engagement as emphasized by scholars such as Mitsuhiro Yoshimoto. While there are notab...

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Bibliographic Details
Online Access: Full Text (via ProQuest)
Main Author: Swale, Alistair (Author)
Format: eBook
Language:English
Published: [Basingstoke] : Palgrave Macmillan, 2015.
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245 1 0 |a Anime aesthetics :  |b Japanese animation and the 'post-cinematic' imagination /  |c Alistair D. Swale. 
264 1 |a [Basingstoke] :  |b Palgrave Macmillan,  |c 2015. 
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505 0 |a 1. Introduction -- 2. R.G. Collingwood And A 'Philosophical Methodology' Of Aesthetics -- 3. Anime As Craft -- 4. Anime As Representation -- 5. Anime As Amusement -- 6. Anime As Magic -- 7. Anime As Art -- Digital Cinema And The Anime Aesthetic -- Conclusion. 
504 |a Includes bibliographical references (pages 156-161), filmography (pages 154-155) , and index. 
520 |a Japanese animation has been more broadly recognised and given fulsome academic commentary over the last decade. However, there is arguably a need for a more philosophically consistent and theoretically integrated engagement as emphasized by scholars such as Mitsuhiro Yoshimoto. While there are notable exceptions within the current literature, and these works highlight significant issues when considered as presenting an aesthetic theory of animation, Anime Aesthetics covers the key thinkers of contemporary aesthetic theory commonly adopted in relation to media (Deleuze, Ranciere, Zizek) and aims to reground reflection on anime within a more specifically aesthetic philosophical tradition, particularly drawing on recent scholarship on the art theory of R.G. Collingwood. 
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650 0 |a Animated films  |z Japan  |x Philosophy. 
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