Giambattista Marino

''Portrait of Giovanni Battista Marino'', c.&nbsp;1621. Oil on canvas, 81.0 x 65.7&nbsp;cm. Detroit, [[Detroit Institute of Arts]]<ref>Susan J. Bandes, ''Pursuits and pleasures: baroque paintings from the Detroit Institute of Arts'', East Lansing, Mich.: Michigan State University, Kresge Art Museum, 2003, p.&nbsp;32. See also Blaise Ducos, "Court Culture in France among the First Bourbons: Portrait of Giambattista Marino by Frans Pourbus the Younger", ''Bulletin of the DIA'', vol. 83, 1/4 (2009), pp.&nbsp;12–21.</ref> Giambattista Marino (also Giovan Battista Marini) (14 October 1569 – 26 March 1625) was an Italian poet who was born in Naples. He is most famous for his epic ''''.

The ''Cambridge History of Italian Literature'' thought him to be "one of the greatest Italian poets of all time". He is considered the founder of the school of Marinism, later known as ''Secentismo'' (17th century) or ''Marinismo'' (19th century), characterised by its use of extravagant and excessive conceits. Marino's conception of poetry, which exaggerated the artificiality of Mannerism, was based on an extensive use of antithesis and a whole range of wordplay, on lavish descriptions and a sensuous musicality of the verse, and enjoyed immense success in his time, comparable to that of Petrarch before him.

He was widely imitated in Italy, France (where he was the idol of members of the ''précieux'' school, such as Georges Scudéry, and the so-called ''libertins'' such as Tristan l'Hermite), Spain (where his greatest admirer was Lope de Vega) and other Catholic countries, including Portugal and Poland, as well as Germany, where his closest follower was Christian Hoffmann von Hoffmannswaldau and Holland where Constantijn Huygens was a great admirer. In England he was admired by John Milton and translated by Richard Crashaw.

He remained the reference point for Baroque poetry as long as it was in vogue. In the 18th and 19th centuries, while being remembered for historical reasons, he was regarded as the source and exemplar of Baroque "bad taste". With the 20th century renaissance of interest in similar poetic procedures, his work has been reevaluated: it was closely read by Benedetto Croce and Carlo Calcaterra and has had numerous important interpreters including Giovanni Pozzi, Marziano Guglielminetti, Marzio Pieri and Alessandro Martini. Provided by Wikipedia
Showing 1 - 20 results of 33 for search 'Marino, Giambattista, 1569-1625', query time: 0.06s Refine Results
  1. 1

    Tutte le opere / by Marino, Giambattista, 1569-1625

    Published 1976
    Book
  2. 2

    Adone : poema / by Marino, Giambattista, 1569-1625

    Published 1924
    Book
  3. 3

    La galleria / by Marino, Giambattista, 1569-1625

    Published 1926
    Book
  4. 4

    Marino e i marinisti / by Marino, Giambattista, 1569-1625

    Published 1954
    Book
  5. 5

    Il bacio / by Marino, Giambattista, 1569-1625

    Published 2003
    Book
  6. 6

    La premie⁺ђre nuit du mariage / by Marino, Giambattista, 1569-1625

    Published 1883
    Full Text (via Gale)
    eBook
  7. 7

    Opere scelte di Giovan Battista Marino e dei Marinisti / by Marino, Giambattista, 1569-1625

    Published 1966
    Book
  8. 8

    Il ritratto del serenissimo don Carlo Emanuello, duca di Savoia / by Marino, Giambattista, 1569-1625

    Published 2011
    Book
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  12. 12

    Dicerie sacre : e La strage de gl'innocenti / by Marino, Giambattista, 1569-1625

    Published 1960
    Book
  13. 13
  14. 14

    Opere / by Marino, Giambattista, 1569-1625

    Published 1967
    Book
  15. 15

    Les vrais plaisirs, ou, Les amours de Vénus et d'Adonis by Marino, Giambattista, 1569-1625

    Published 1751
    Full Text (via Gale)
    Electronic eBook
  16. 16

    Scritti vari / by Marino, Giambattista, 1569-1625

    Published 2017
    Book
  17. 17
  18. 18

    La première nuit du mariage / by Marino, Giambattista, 1569-1625

    Published 1883
    Full Text (via Gale)
    eBook
  19. 19

    Panegirici / by Marino, Giambattista, 1569-1625

    Published 2020
    Book
  20. 20
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