Niccolò Machiavelli
Niccolò di Bernardo dei Machiavelli , ; ; also occasionally rendered in English as Nicholas Machiavel ( , ).}} (3 May 1469 – 21 June 1527) was a Florentine diplomat, author, philosopher, and historian who lived during the Italian Renaissance. He is best known for his political treatise ''The Prince'' (), written around 1513 but not published until 1532, five years after his death. He has often been called the father of modern political philosophy and political science.For many years he served as a senior official in the Florentine Republic with responsibilities in diplomatic and military affairs. He wrote comedies, carnival songs, and poetry. His personal correspondence is also important to historians and scholars of Italian correspondence. He worked as secretary to the second chancery of the Republic of Florence from 1498 to 1512, when the Medici were out of power.
After his death Machiavelli's name came to evoke unscrupulous acts of the sort he advised most famously in his work, ''The Prince''. He claimed that his experience and reading of history showed him that politics has always involved deception, treachery, and crime. He advised rulers to do likewise when political necessity requires it, and argued specifically that successful reformers of states should not be blamed for killing other leaders who could block change. Machiavelli's ''Prince'' has been surrounded by controversy since it was published. Some consider it to be a straightforward description of political reality. Others view ''The Prince'' as a manual, teaching would-be tyrants how they should seize and maintain power. Even into recent times, some scholars, such as Leo Strauss, have restated the traditional opinion that Machiavelli was a "teacher of evil".
Even though Machiavelli has become most famous for his work on principalities, scholars also give attention to the exhortations in his other works of political philosophy. While less well known than ''The Prince'', the ''Discourses on Livy'' (composed ) has been said to have paved the way for modern republicanism. His works were a major influence on Enlightenment authors who revived interest in classical republicanism, such as Jean-Jacques Rousseau and James Harrington. Machiavelli's political realism has continued to influence generations of academics and politicians, including Hannah Arendt, and his approach has been compared to the ''Realpolitik'' of figures such as Otto von Bismarck. Provided by Wikipedia
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The Prince. by Machiavelli, Niccolò
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The prince / by Machiavelli, Niccolo
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Książę by Machiavelli, Niccolò
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The Prince by Machiavelli, Niccolo
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The Prince. by Machiavelli, Niccolò
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Lust and liberty : the poems of Machiavelli / by Machiavelli, Niccolò, 1469-1527
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Literary works : Mandragola, Clizia, A dialogue on language [and] Belfagor; with selections from the private correspondence / by Machiavelli, Niccolò, 1469-1527
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Opere / by Machiavelli, Niccolò, 1469-1527
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Commedie / by Machiavelli, Niccolò, 1469-1527
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The prince / by Machiavelli, Niccolò, 1469-1527
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The prince / by Machiavelli, Niccolò, 1469-1527
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The quotable Machiavelli / by Machiavelli, Niccolò, 1469-1527
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Chief works, and others by Machiavelli, Niccolò, 1469-1527
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The discourses of Niccolo Machiavelli / by Machiavelli, Niccolò, 1469-1527
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The Prince 1640. by Machiavelli, Niccolò, 1469-1527
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Selected political writings / by Machiavelli, Niccolò, 1469-1527
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Discursos de Nicolao Machiaueli : Juan Lorenzo Ottevanti's Spanish translation of Machiavelli's Discourses on Livy (1552) / by Machiavelli, Niccolò, 1469-1527
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The prince : a new translation, backgrounds, interpretations, peripherica / by Machiavelli, Niccolò, 1469-1527
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History of Florence and of the affairs of Italy, from the earliest times to the death of Lorenzo the Magnificent / by Machiavelli, Niccolò, 1469-1527
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Mandragola / by Machiavelli, Niccolò, 1469-1527
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Related Subjects
Political science
Political ethics
History
War
Military art and science
Philosophy
Politics and government
Historiography
Conduct of life
Philosophy, Modern
Political and social views
Republicanism
State, The
Statesmen
Torpedoes
Young men
Authors, Italian
Criticism and interpretation
Devil
Intellectuals
Kings and rulers
Marriage
Nationalism
Operas
Power (Social sciences)
Renaissance
Atheism
Characters
Choruses (Mixed choirs, 16 parts), Unaccompanied
Choruses, Secular (Equal voices, 3 parts), Unaccompanied