Max de Esteban

}} Max de Esteban is an artist working mostly in photography and video whose work is best known for his examination of the human condition under a technological regime.

His projects have been exhibited at museums and institutions including NRW-Forum in Dusseldorf, Museum of Fine Arts Houston, XIII Bienal de La Habana, Deutsche Technik Museum in Berlin, Virreina Centre de l’Imatge in Barcelona, XIII Cairo Biennale, XVI Cuenca Biennale, CGAC in Santiago de Compostela, Staatliche Museum für Fotografie in Berlin and Palais de Tokyo in Paris.

His work has been the subject of four monographs: Twenty Red Lights (La Fábrica, 2017); Propositions (La Fabrica, 2015); Heads will Roll (Hatje Cantz, 2014) and Elegies of Manumission (Nazraeli, 2012) and is part of museums’ collections such as Museum of Fine Arts Houston, Staatliche Museen–Museum für Fotografie in Berlin, MACBA in Barcelona, Museu de Arte Moderna do Rio de Janeiro, SEDF in Bratislava, Deutsche Technik Museum in Berlin and Wifredo Lam in La Habana.

De Esteban holds a BsC in Engineering from Universidad Politécnica de Cataluña, an MBA from Stanford University and a PhD in Economics and Business from Ramon Llull University. He is a Fulbright Alumnus.

De Esteban's work is organized in three distinct bodies: ''Elegies of Manumission'', ''Propositions and Infrastructures of Modernity.'' Provided by Wikipedia